for the musically and spiritually inclined

kind of corny at some points (so jealous of people who don't understand indonesian subtleties) but still such a unique and surrealist piece of work especially coming from Indonesia where possession is associated with horror and cruelty. although the film is in a sense unrealistic because of the lack of islamic perspective (considering how this would immediately be struck down by the word 'kafir') i'm so glad they didn't include it in the first…