Directed by Kasi Lemmons
Summer heats up in rural Louisiana beside Eve’s Bayou, 1962, as the Batiste family tries to survive the secrets they’ve kept and the betrayals they’ve endured.
La baia di Eva, Le Secret du bayou, Farlig sommar, Eve's Bayou - Im Bann der Lügen, Eve öröksége, 이브의 시선, סודותיה של איב, Пристанище Евы, Eve'nin Sırrı, Amores Divididos, 仲夏夜玫瑰, Eve’s bayou (L’estany de l’Eva)
Canada Toronto International Film Festival 
Iceland Reykjavik Film Festival 
USA BAMcinemaFest USAR Canada Iceland USA 
This review may contain spoilers. I can handle the truth.
tired: American Beauty starting a movie with "in less than a year I'll be dead"
wired: Eve's Bayou starting a movie with "the summer I killed my father I was 10 years old."
Eve's Bayou is a forgotten gem of American cinema. It is a character study that doesn't give away too much, too soon. It rewards the patient viewer, and it also lets the audience decide what memories they choose to take away from the film.
Eve's Bayou has a Southern Fried feel mixed with a jazzy New Orleans groove. The cinematography is gorgeous, and the landscape truly is a central character in the film. Kasi Lemmons' directing is near-flawless, and Amy Vincent's cinematography deserved an Oscar nomination.
The star has to be Jurnee Smollett's Eve. As she acts way above her years. Also, Lynn Whitfield, Debbi Morgan and Meagan Good all bring awesomeness to the acting table. This might be the…
the way i legitimately believed this was a horror movie growing up. it’s a drama about secrets and grief and how memory is simply a selection of images, how they can change depending on who’s remembering. it’s a drama but the atmosphere can be so eerie and unsettling. there are skeletons in the graveyard but there are more in the closet
“Memory is the selection of images, some elusive, others printed indelibly on the brain. Each image is like a thread, each thread woven together to make a tapestry of intricate texture. And the tapestry tells a story, and the story is our past.”
What an emotional banger this masterfully crafted high drama excursion into southern gothic is. Filled with swampy atmos and terrific performances, there’s something otherworldly about this film and I love it.
What an important movie.
it literally a crime that Jurnee Smollett didn't break out like all the white child actors did after her performance in this film. she was acting better than most of the adults here but I'm so glad she's finally starting to get her due now. Eve's Bayou is spellbinding and Louisiana itself is a whole character in the story, the setting is so gorgeous and adds so much to what is going on. Lynn Whitfield is also incredible but when is she not? if you haven't seen this I beg you to watch it, you won't regret it!
Such a beautiful layered picture of the pain of childhood and the grief of family. Perfectly set in a warm hazy Louisiana bayou, it gives off the same feeling of a far away memory.
Eve’s Bayou is a captivating black coming-of-age story, and an impressive directorial debut from Kasi Lemmons. Thanks to a layered, culturally colorful script, Lemmons magically created a microscopic world that's as dreamy and terrifying as the bayous, and the beasts inside are always ready to bite.
Told from a child's perspective, Eve’s Bayou details a black girl's bittersweet experiences growing up in a black town where evil lurks amid innocence. From competitive siblings to a psychic aunt, Eve’s Bayou features some of the most vibrant female characters in cinema, and the all-black cast was mighty enough to pull off the delicious dynamics and highly demanding acting showcases the juicy script demands. A young Jurnee Smollett was for sure the standout…
Beautiful, hypnotic, harrowing and beautiful. The secrets of southern black families often fester so long without any attempt to remedy or reveal them that they become a kind of unbeatable illness itself. An illness that affects every member in said family and every interaction they all have with one another. You can’t talk about it, you don’t talk about it and you never will. The script is excellent, the performances are stellar making for an incredibly captivating watch. One of the best things I’ve seen this year but it’s definitely not easy to process. It’s a hard watch but I recommend that all black people, and as someone replied to me when I posted about watching it, especially black women watch this. It’s an amazing story that might be universal for many but it’s so amazingly singular to the black experience as well. Understandably a classic.
"Just because you get blood on your panties doesn't mean you get to act uncivilized."
A coming of age tale fused with black magic and ideas around the unreliability of memory. Eve's Bayou takes place in the Louisiana swamp and focuses on a young girl who finds her life turned upside down after witnessing her father engaged in a romantic tryst with a family friend. The film benefits ftom a rich Southern Gothic atmosphere that permeates the drama and allows the more fantastical elements to make sense on a narrative level. The core of the story focuses on the young girl at its centre but there's plenty going on besides. Much of the drama centres on ideas of perspective; the dichotomy between the outlooks of adults and children and how the recalling of the past…
When a picture receives so much acclaim and attention, I don't think anyone should be shocked when it delivers big time.
For me, the film's biggest strength, and what sets it apart from other coming-of-age pictures, is that it seems quite distinctive in many aspects. It reflects in many ways what many people may have felt growing up in this corner of the world at the time. There is also a hint of magic realism that gives the film a unique flavor.
In terms of acting, a very young Jurnee Smollett is terrific as our protagonist. She captures the purity of infancy while attaining maturity from her life experiences. Debi Morgan is another character that really popped out for me…
As a piece of melodrama, this film is severely damaged by its egregiously overblown score. It's smooth, loud, and wells up right at the wrong moments, as if hamming up the soundtrack somehow makes hammed up acting more palatable. Between this slap in the face and the occasional awkward moments from Jurnee Smollett (who would grow up to be on Friday Night Lights, one of the best television show sever made) and her character's sister, the performances suffered a bit. On the other hand, Smollett also delivers the funniest, most impressive moment in the film as she takes her mother to task, so it evens out.
I don't know what a realistic, intelligent portrayal of voodoo would look like, probably…
