Synopsis
Nature is unforgiving.
The enigmatic resurrection, rampage, and retribution of an undead monster in a remote wilderness unleashes an iconic new killer after a locket is removed from a collapsed fire tower that entombed its rotting corpse.
Directed by Chris Nash
The enigmatic resurrection, rampage, and retribution of an undead monster in a remote wilderness unleashes an iconic new killer after a locket is removed from a collapsed fire tower that entombed its rotting corpse.
具有暴力的性质, Uma Natureza Violenta, バイオレント・ネイチャー, 暴力本性, Bản Tính Hung Tàn, De naturaleza violenta, Нежить, მოძალადე ბუნებაში, Žvėriška prigimtis, Asesino Por Naturaleza, Kruťas od přírody, 暴力的本質, Природа насильства, Natureza Violenta, 인 어 바이올런트 네이처, В насилствена природа, ปลุกขึ้นมาเชือด, De nature violente
Surpassed only by playing Jason on the Friday the 13th multiplayer video game
Interesting concept but does nothing with it
Perspective can only go so far with nothing to convey. visually empty and shaky performances
Really wanted to like this one
I could heavily relate to this movie because I, too, love going for long walks through the woods. And other stuff.
Reinventing the slasher genre is a nearly impossible task and while I won’t declare In a Violent Nature does this, it gets pretty damn close. A movie that reverse engineers the jump scare and forces you to sit with the dread of the inevitable. A conversation is heard in the distance and we are forced to follow every step of Johnny’s hunt and it is endlessly harrowing.
Its pacing will be why people look away and pull their phone out, but I beg that you don’t. It’s as close as to watching a wild animal hunt its prey as a film can get— and like the bear that catches its prey, the results are relentlessly gruesome. Some of the most twisted kills I have ever seen, whoever thought of it, please seek therapy (and keep making more movies).
I was vibing so hard with this…until I wasn’t. It’s a cool premise with laudable homage and enough juice to make me excited for the director’s next feature but I’m disappointed as well. The sound design is the real hero here.
The acting is mostly subpar, the kills are gnarly but aimless and the central conceit—a slasher that follows the slasher not the slashees—is a rule occasionally broken and eventually abandoned.
Many horror diehards will love it, though! It’ll go mega-viral in 19-second, wordless TikTok reaction-reviews and thrive on Shudder. See it in a theater if you can! Your phone will be calling to you if you watch it at home.
i'm gonna be honest, this needed to be about five times slower. there are things i appreciate here (a few of the kills are great, and the bits of lore we get amusingly imply that this would be like the third or fourth entry in a normal slasher series) but people on this website were acting like this was bela tarr's friday the 13th and it makes me wonder if any of you have actually watched "slow cinema" before.
i got some bad vibes right off the bat, when the film keeps cutting in the middle of a tracking shot like it's trimming the fat, hurrying us along to the next bit of action. the version i wanted wouldn't have…