Directed by Matt Cimber
Born in a tribe of fierce warrior women, Hundra has been raised to despise the influence of men. An archer, fighter and sword fighter, Hundra is superior to any male. Hundra finds her family slain and takes a vow of revenge until one day she meets her match.
Warrior Queen, ハンドラ, Χάντρα: Ο Θηλυκός Εκδικητής, Честь Хондры, Hundra l'ultima amazzone, هوندرا, Hundra: A Mulher Guerreira, 亨德拉
RomaniaAP 
Spain 
USANR 
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Germany18 Germany Japan Romania Spain USA 
Badass, independent, warrior babe kicks ass for ³/₄ of the movie, until she finds a man worthy of penetrating her (this movie's terminology). Then all of a sudden she thinks a makeover is necessary in order for her future baby daddy to do the deed. Pretty silly stuff and kind of dubious on the gender politics front. At least she continues to kick ass after she is made to look like a "proper lady".
Hundra is more respectable and competent than the poster makes it out to be. Still, there is not much more to it than a near endless barrage of fight sequences.
Mildly entertaining.
One Hundra Jeers & Brawls w/ Dudes
officer mallory from maniac cop slips on some uggs & fuxx up a bunch of farting & belching he-men for about an hour before chilling in a castle for the rest of the movie
“No man demands anything of me.”
Praise the Bull
Bear arms, not children, that’s the Hundra way. Believe it or not, this is a female emancipation story, from Matt Cimber, the director behind white-coater sex films, documentarian hardcore, blacksploitation, and a little psychosexual horror movie called The Witch Who Came from the Sea. The latter gets a lot of love from certain cult film circles, and is probably the closest in spirit to Hundra a sword and sorcery film co-produced by, and starring, Jahangir Ghaffari, the legendary Iranian actor who eventually made his way to Europe to star in a couple Spanish Gothics and Jess Franco films (according to Ghaffari, Jess never paid him for his work on The Demons),…
1983 In Review - July
#9
Born in a tribe of fierce warrior women, the archer and sword fighter, Hundra, has been raised to despise the influence of men. Superior to any male, Hundra takes a vow of revenge until one day she finds love.
Hundra is another film to join the ranks of the early 80’s boom in ripping off Conan and the sword and sorcery genre. But I must admit that this one is slightly different, more Red Sonja than Conan. Thats because of Hundra (Laurene Landon), who would rather have a good horse between her legs than a man, but after a savage attack on her tribe by a horde of hairy barbarians she is forced to…
a crazily LOUD ennio morricone score blares while laurene landon chops off heads and a bunch of slave women suffocate a dude by sitting on him
Good evening and welcome fellow Children of Chaos
"Silk is more inducive to Love than steel"
Speak for yourself wimp!
A colony of all women are attacked one day, the only one left was Hundra who was out on a hunt and an elder who was in a cave or some shit. Hundra goes to the elder and is like "These assholes genocided us, murdered everyone I've ever known or loved. What the plan"
The old woman in the cave is like "Get a creampie"
Hundra: "No thanks I'm not hungry"
Old woman: "No dumbass, let a dude nut in you so you can have a baby."
No, don't find other like minded women to rebuild your nation. don't hunt…
It has me already with the brutal as fuck cold opening packed with barbarian murder, but then it sealed the deal with having a soundtrack by Ennio Morricone, and then it went and did some legendary shit like having a BARBARIAN LITTLE PERSON ON A TINY DONKEY and he was just an amazing hero to me.
Then it went and was a movie about a badass barbarian woman getting revenge and all of the stunts looked brutal and holy god I loved this cheese fest truly
The stunning success of Conan the Barbarian caused a mini rejuvenation wave in the swords & sandals subgenre within the greater 80s action golden age. Released just the following year, this really might be the first.
And GOOD LORD is it a knockoff. Whole scenes feel directly lifted. The opening attack on the village, the buddy walk through Shadizar, the orgy raid: even the sets & settings are incredibly similar. Did they re-use the sets?
While probably first in the flow from which Conan is the wellspring, sadly, it's not the best. While some of the stunts are competent (especially those on horseback, respect given where it's due), that 80s action never manifests. These sword fights are sincerely closer to the quality found in a high school play. They're distractingly bad, to the degree that they repeatedly took me out of the movie.
This isn't all bad, but it's really only recommended to those who love the subgenre.
Action x52 2021: Film #14
Watch an action film composed by Ennio Morricone
Offspring of a fishmonger!
One of the best Conan knock-offs, that Morricone score makes the smallest brawl feel like an epic battle.
”Você deve saber muito sobre 'medo'. É a emoção mais forte de um covarde.”
Hundra é a personificação da raiva e inconformidade. Gritos animalescos assustam sua presa, a mesma que a injustiçou, a rebeldia é apenas complemento de sua extrema habilidade de combate e furor tremendo de sede por sangue. ”Nenhum homem entrará em mim. Usando uma espada ou... Ele mesmo”. Gerar vida e prazer ao homem são conceitos inimaginaveis para Hundra e o seu bando de amazonas, apesar de haver formações de mulheres com ocupações justamente para o ato de dar a luz. Manter a ordem, trazer a caça, prover, Hundra faz de tudo e mais um pouco. É a marido de aluguel, mas nunca a dona de casa.…
Part of my 2019 Theme Month Extravaganza
JUNE: Ladies Kickin' Ass (BONUS)
It's unclear how seriously one should dissect the gender politics of Matt Cimber's Spanish-lensed, gender-flipped Conan clone. Our titular heroine (Maniac Cop's Laurene Landon) hails from a nomadic tribe of self-sufficient women who only engage with males to bear offspring, and they give any boys away. While Hundra's out hunting one day, some Y-chromosomed assholes ride in and decimate the entire group. As she and her chronically unhelpful dog ride off seeking steel revenge, she's reluctantly tasked by a whispering, cave-dwelling crone (mysteriously credited to "Tamara") with finding a suitable mate to advance the bloodline herself. The guy she ultimately chooses (Ramiro Oliveros) is a kind, morally upstanding…
Wowowewa! Big ups to #thanksbart for randomly slamming this down my gullet—my man injected my ass with pure juice.
I absolutely fell in love with this movie. The locations, the score, the use of slow motion, the genre, the power, the beauty—this buried treasure really fucking delivers. Look, when Hundra’s dog Beast laid down on the back of her horse and she rode off—I nearly cried. So. Fucking. Cool.
The first act was probably my favorite. Fucking stunning, truly. The slow motion shots in the raid sequence were legitimately fucking cool looking. Assuredly a bit of a drag through the second act—basically the men sort of ruin the incredible vibes with their boners and egos—classic. But Hundra doesn’t give a shit, she fucks,…
