Synopsis
Hunger will be the least of your worries.
After a mysterious leader imposes his law in a brutal system of vertical cells, a new arrival battles against a dubious food distribution method.
After a mysterious leader imposes his law in a brutal system of vertical cells, a new arrival battles against a dubious food distribution method.
سکو ۲, Der Schacht 2, Hullet 2, პლატფორმა 2, 絕命大平台 2, La Plateforme 2, 더 플랫폼 2, 饥饿站台2, O Poço 2, Il buco - Capitolo 2, Platforma 2, Платформа 2, ხვრელი 2, Hố sâu đói khát 2, Платформата 2, เดอะ แพลตฟอร์ม 2, سکو ۲ (پلتفرم ۲), プラットフォーム2, A platform 2., Hålet 2, Díra 2, הפיר 2, المنصة 2, 饑餓鬥室 2, 饥饿站台 2, Platformen 2, Taso 2, Η Πλατφόρμα 2, द प्लेटफ़ॉर्म 2, A Plataforma 2
Esta secuela podía salir de dos formas:
1. Que expandiera el universo del Hoyo, resolviendo todas las preguntas que nos surgieron en la primera (genial)
2. Que repitieran el Hoyo con otros personajes y otro planteamiento y no respondiera absolutamente a ninguna pregunta (terrible)
Con mi nota os podéis imaginar por donde han tirado. Sumado a una trama pretenciosa que quiere parecer inteligente y una segunda mitad calcada de la primera.
Lo único positivo es el primer cuarto con ese planteamiento religioso.
my toxic trait is thinking i could survive the last platform with my trusty double apple vape
I'd ask for a jetpack, wait for the platform to pass and then fly to the first floor every month.
It’s a rehash of the first movie with an added helping of religious imagery and ideas— all of it undercooked and sloppy. Yet, I find the central premise of The Platform so interesting, I was always locked in, even when the movie devolves into chaos.
Essentially, it’s “Even when you have Jesus enforcing the rules, trickle-down economics still doesn’t work— The Movie.”
and here I thought this would answer all my confusions from the prequel (really the sequel), now I have even more questions.
This left me with two deep awareness:
Now my life is 100 minutes shorter
Never trust my sister to choose the film
Released on Netflix in March of 2020 (unbelievably perfect timing for a movie about people confined to an inescapable prison whose design pits insatiable self-interest against the public good), Spanish filmmaker Galder Gaztelu-Urrutia’s “The Platform” is an anti-capitalism allegory whose obviousness is its greatest strength. Like so many streaming hits, the genre exercise resonated because its high-concept premise told a compelling story unto itself.
The film’s most and only memorable character is “The Pit” where it takes place, a narrow concrete tower (or “Vertical Self-Management Center”) with a large square hole in the middle of each floor — a hole just large enough to fit the massive smorgasbord of food that’s lowered down the building’s 333 stories each day. The…