“Can I have a piece of you?”
Pleading whispers and needy touches. Close-ups of hands and ears and legs. All these little pieces spliced together to make an image of the sun, the moon, the stars, the universe that is Janet. Mother first, person second.
Annie Baker’s history on the stage translates phenomenally here, a film comprised of stunning, often static shots reminiscent of the work of Chantal Akerman. One quite literally falls into the scenes presented in their most naturalistic form.
Janet is someone drawn to physical touch as long as it’s not from her daughter, Lacy. In those intimate moments between the two of them, there’s a dread that seeps in, a silent “when will this be over”…