Its flaws are its strengths.
This is a film with bigger ideas that its budget wants to allow for. It cites its sources within the film, embracing the aesthetics of classic B-movies and exploitation schlock, scraping the bottom of the barrel for inspiration in the best possible way, while also engaging its most prominent inspiration - arthouse provocateur Gregg Araki - to create an expression of outrage, despair, and defiance. Drenched in neon light and punk rock snarl, it takes the DIY energy of its influences and flaunts them, making it part of the message, part of the vision.
This is a story about what it feels like to be trans in a world that is increasingly transphobic. Turning hateful…