Synopsis
The truth is a lie.
A young broadcast journalism student is trying to win the approval of her influential mentor who pushes her to reconsider the meaning of truth if it means success.
Directed by Roxine Helberg
A young broadcast journalism student is trying to win the approval of her influential mentor who pushes her to reconsider the meaning of truth if it means success.
冷拷贝, Šalta kopija, 冷拷貝
Cold Copy seemed full of promise at first glance. I was initially intrigued by what direction it may take, I anticipated an engaging narrative, yet it disappointingly fell flat for me. It came across as unrealistic, and failed to deliver the intended impact. The characters lack authenticity and complexity, resulting in a shallow and monotonous film with an amateurish feel. While it had moments of suspense, they felt artificial. While not terrible, the film lacked nuance and ultimately proved to be boring. While I didn't hate it, I wouldn't suggest it to others
A thrilling concept that’s sometimes not executed as well as it could be, the last act of the film is really strong and the performances really shine, especially Bel Polley. I wish the first hour had a bit more oomph to it though.
Cold; contrived; short; thrill-free; uncompelling; unconvincing; unlikable; unrealistic.
COLD COPY takes a gripping look at the cutthroat world of journalism, where provocation sells more than the truth. Tracee Ellis Ross is outstanding as a tough-as-nails journalist who pushes one of her students toward success no matter the cost. A riveting directorial debut for Roxine Helberg on the nature of power and ambition.
"Journalism is not a vocation. It's a persona".
Cold Copy is much better than its reception. It may seem outrageous to see some of the things happening here, but I know for a fact they happen.
This is like Whiplash for journalists. What's riveting is the respective extreme ends of both the Bel Powley and Tracee Ellis Ross characters: an overly ambitious student who'll stop at nothing to prove herself and the cutthroat big-name mentor who uses their power and standing in the name of "molding young minds".
Miss Powley is fantastic, as her eye acting conveys a range of weary emotions. Tracee is deliciously evil; a stout veteran of the screen who never disappoints.
I was a journalist for…
Cold Copy was a weary watch, with tension left awkwardly lingering in places. It clashes with the fast-paced, lions’ den-like world of journalism that’s setup here.
Although it’s missing a zing in its exploration of power dynamics and ambition, Bel Powley throws in a reliably solid performance. Her Mia is a determined journalist student, whose principled nature is tested by Tracee Ellis Ross’ Diane. A formidable, scathing mentor who’s just…super mean. She doesn’t think Mia is cut out for the job, neither do I and I don’t think Mia quite believes it either. It’s all familiar waters, but I suppose it wraps up in a decent, thrilling manner which left me asking why it wasn’t there in the first place.
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🐧 P R E V : 𝙏𝙔𝙏Ö𝙏 𝙏𝙔𝙏Ö𝙏 𝙏𝙔𝙏Ö𝙏 // 𝙂𝙄𝙍𝙇 𝙋𝙄𝘾𝙏𝙐𝙍𝙀
🍰 A L L 𝕄𝕒𝕣 𝕎𝕒𝕥𝕔𝕙𝕖𝕤
For a film that veers in the direction of something like Whiplash where pupils break themselves and their moral codes to please their cruel teachers, Cold Copy is alarmingly tepid. Any sort of fiery emotion that is a requirement for material like this is trapped behind a glass wall, visible but never reachable. Moments of severity feel stilted and the rest just feels awkward and too desperate to reach its big girl boss finale. At least Tracee Ellis Ross is always worth watching.
in a world....... where everyone wears the exact same thing every single day for some reason......... the scariest thing........is............LYING!!!!!!!!!!!!!!!!!!!
English Version below ...
Cold Copy (2023)
Die Wahrheit ist eine Lüge.
In der Welt des Rundfunkjournalismus bedeutet „Cold Copy“ folgendes: Ein Nachrichtenskript, das vom Reporter erst gelesen wird, wenn die Kamera läuft.
Eine junge Journalistikstudentin will ihren rücksichtslosen Professor mit einem sensationellen Artikel beeindrucken. Dabei setzt sie sich über ethische Grundsätze hinweg, um den Sohn eines berühmten Schriftstellers zu manipulieren.
Gibt es die Wahrheit da draussen noch? Verdient die Welt sie überhaupt noch oder wollen alle nur noch "ihre" Wahrheit hören. In den Zeiten von "Fake-News" kann man sich solch beunruhigende Fragen schon mal stellen. Der alte Spruch von wegen, es muss stimmen, es steht schliesslich schwarz auf weiss in der Zeitung, kann man jedenfalls vergessen.
Was aber auf…