Synopsis
The truth is known to all but one.
Teenage Marie lives on a small island with her father and catatonic mother. Virtually friendless and sullen, Marie begins to experience frightening changes in her body that mark her as a dangerous threat.
Teenage Marie lives on a small island with her father and catatonic mother. Virtually friendless and sullen, Marie begins to experience frightening changes in her body that mark her as a dangerous threat.
Når Dyret vågner, Naar dyrene droemmer, Cuando despierta la bestia, Когда животные видят сны, Állatok álma, 애니멀즈 드림, כאשר החיות חולמות, 獣は月夜に夢を見る, Když zvířata sní, Kun peto herää, Wilkołacze sny, Quando Animais Sonham, 动物做梦之时, Keď zvieratá snívajú
If you want to know what a less interesting and skillful Let the Right One In looks like, this is it. I don't really want to compare these two, but the similarities are much too obvious not to.
The main problem with this is that it lacks the subtlety, ambiguity and charm of the former. In When Animals Dream everything is very one sided. The plot, the characters, and their development. There are good guys, and there are bad guys. It's made very clear which are which and none deviate from their set path or seem to have a mind of their own. Not once are we allowed to decide who we want to side with. This is force fed…
So minimal it's like anti-matter. A little too unrequited for my taste. At it's best is a supernatural 'Match Factory Girl', at it's worst is like watching paint dry on the set of 'Ginger Snaps'. Never connects or fully takes shape. Yet it still seems like an ok film? It must be because I haven't seem enough Danish horror. My interest is piqued but I know that there are better examples.
Horror Hunt #30 (December 2020)
5. Neighboring country
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I should like this way more because it just really nails that melancholic kitchen sink realism that for whatever reason seem perfectly fit for a Scandinavian setting. Perhaps the most haunting aspect was how they perfectly captured the casual morbidity that appear when a family member falls ill. It is the real world without any flashy special effects, just the hopeless mediocrity of the common day.
So Marie is the depressed main character here, a hopeless teenager trapped in a Danish seaside town who has to juggle the traumas of a hostile workplace, a terminally ill mother and also, the evolving state of lycanthropy. It has been said before but it…
31 DAYS OF HORROR 2025
FILM #28
Another werewolf movie that uses the werewolf transformation as a not-so-subtle metaphor for puberty, sexual awakening, and the transition to adulthood. Basically a sombre coming-of-age drama disguised as a creature feature, in the same vein as Ginger Snaps or Let the Right One In, but not nearly as accomplished as those two, lacking in depth and subtlety as well as mystery, horror and suspense. We've seen this story a thousand times before, and this one doesn't really do much to distinguish itself from others of its kind, playing out an overtly familiar plot without adding anything new. Når dyrene drømmer is a beautifully shot, atmospheric slow-burn horror drama that relies on mood and…
It's a very moody, slow-burning coming of age story with a lot of touching moments and symbolism that almost makes you kinda forget it’s still horror.
There is something about the Scandinavian scenery that just makes it perfect for horror, and When Animals Dream utilises its setting's natural eerieness to great effect.
Taking its visual cues from modern Scandi-noir, and filtering its horror through the existential lens of Bergman and the coming of age feel of Let the Right One In, Jonas Alexander Arnby's film is a low-key somber werewolf tale.
Young Marie is becoming aware of her sexuality, and is also developing a rash accompanied by thick, dark hair. This appears to have some link with her mother's (Sonia Richter) debilitating, paralysing illness. Above this, there seems to be some unspoken collusion between her father (Lars Mikkelson) and the family doctor.
It is a sweet…
Gesehen im Rahmen der Discord Challenge „Zirkus des Horrors“
„When Animals Dream“ setzt sich mithilfe von Bodyhorror und Monsterfilm Elementen mit der regressiven und konservativen Einstellung vieler ländlicher Gegenden und vor allem ihrer Abneigung gegen das was aus der Norm fällt auseinander. Dabei findet der dänische Film für mein empfinden durchaus immer mal wieder atmosphärische Einstellungen, grade wenn die Szenerie des Fischerdörfchens im Fokus steht, ist mir insgesamt aber dennoch zu träge, beziehungsweise schleppend erzählt. Nicht, dass ich slowburn und generell eher langsame Filme nicht mögen würde, aber Jonas Alexander Arnbys Werk entwickelt einfach zu selten eine spannende Sogkraft um seine Trägheit auszugleichen. Sonia Suhls Performance in der Hauptrolle hat mich auch nicht immer überzeugen können leider. Dennoch bleibt eine, zwar nicht unverbrauchte, aber immer wieder spannende Herangehensweise an diesen Themenkomplex und der ein oder andere interessante Ansatz.
Charming, atmospheric story of an shy outsider girl who starts to transform to a woman aka werewolf. Good acting, good score, nice photography and despite the arthouse touch some crispy horror and a non ridiculous werewolf. What the film is lacking is ambivalence and real conflict, as we always know on which side we have to stand. But still worth seeing because of it's rough beauty and dark tenderness.
SOS, she's in Disguise
SOS, she's in Disguise
There's a She-Wolf in Disguise
Coming out, coming out, coming out
"Ich verwandle mich gerade in ein Monster und muss sehen das ich vorher... möglichst viel Sex kriege. Kannst du mir dabei helfen?"
"When Animals Dream" reiht sich nun in eine geschlossene Gesellschaft, bestehend aus "Raw", "Ginger Snaps" und "Let the right One in" ein, die sich mit dem Thema der animalischen Verwandlung im noch recht jungen Alter etwas anders auseinandersetzt...
Jonas Alexander Arnby schuf 2014 ein kleines, leises, dänisches Stück Coming-of-Age-Horror, das einem mit seiner speziellen Bearbeitung des Themas schon gerne mal das Blut in den Adern gefrieren lassen kann.
Ein Film, der vor allem durch seine extrem kühle Atmosphäre und…
how to gut fish, live in a beautiful and unforgiving place, dance to electro-pop-whatever in slow-motion (https://www.youtube.com/watch?v=vRRVaENNtAg), make a sacred hiding spot out of something dirty & forgotten, solve the mystery of yourself, and love someone when they are at their most unlovable.
A Danish low key drama that contains elements of a mystery, family drama, coming of age story and just happens to also be a horror film. I dig films like this completely. Writer/director Jonas Alexander Arnby uses the horror elements as a means to tell a dramatic story and doesn't just do horror for the sake of horror.
It's a slow burning drama with great characters and a great young lead in Sonia Suhl who I think is making her film debut as well. She has a quiet intensity that is perfect for this role and movie as a whole. The comparisons to Ginger Snaps will give you an obvious idea what this film is really about, but it's a different beast in that it's a much more dramatic film really.