Paul’s review published on Letterboxd:
Pretty fun formal exercise and an absolutely batshit comeback. There’s not much lurking behind the mystery and scares this time but those are so good anyway. I can’t mind it. I also love how Shyamalan is very aware of white children’s obsession with rap music. This is like the third movie he’s done with a kid like this if you count Hedwig from Split as one. Olivia DeLonge ate this!