Synopsis
Lucy Church, the sole witness to a fatal robbery, is struck by a passing bus and her life lies in the balance as the thieves wait for a chance to finish her off.
Directed by Muriel Box
Lucy Church, the sole witness to a fatal robbery, is struck by a passing bus and her life lies in the balance as the thieves wait for a chance to finish her off.
[The film industry] “hasn’t any confidence at all ... They never say to women: Let us try and see what she’s done.”
— Muriel Box
Muriel Box is not as well know as Ida Lupino (though she has one more Oscar than Lupino did, sharing one with her husband for the The Seventh Veil screenplay), but she shared with Lupino the challenging novelty of being one of the only women working as a director in her native film industry (in the case of Box, that was Britain), as well as an interest in examining the experiences of women in her films. Though Eyewitness is a noirish crime film rather than a social issue picture, the great majority of its characters are women,…
A standard British noir film…
As far as I can remember, this is my first time watching one directed by Muriel Box, & produced by her husband Sydnie Box. The film’s female characters were more prominently featured than in a lot of the noirs, surely this was intentional.
I loved the location street scenes & apartment furnishings in the beginning of the film. Also a few of the hospital scenes seemed like they were on location too, or it was just really good set design.
I enjoyed watching this film. There were parts that were unintentionally humorous, as can sometimes be the case with movies from the 1950’s (& imo there’s absolutely nothing wrong with that).
Unassuming little thriller that succeeds perfectly on its own terms, playing out over the course of an evening and night, which is the ideal timespan for a thriller. Muriel Pavlow is having a bad day - first she has an argument with her husband Michael Craig over him buying a telly they can't afford [Rank getting the dig in at its new rival early]; then she chances upon Donald Sinden and Nigel Stock performing armed robbery; then she gets run over by a bus. Nasty moustache-twirling villain Sinden (very good at this actually) follows her ambulance to hospital to make sure she keeps schtum.
Most of the running time is spent at the hospital and is nicely divided between tension…
Loved the women in this – from Muriel Pavlow as a forthright and independent wife to the nurses working through a long night shift, characterised with colour and personality (Belinda Lee!); to the old lady in the ward dismissed as a kook; to the widow wanting to be told the straightforward truth about what happened to her husband; to the power of a bossy, observant little girl to affect the narrative – a lively 'slice of life' cast realised by director, Muriel Box, and writer, Janet Green.
Strongly recommend reading sakana's in-depth review here!
Written and directed by women, Eyewitness is a quick-paced English thriller that starts off strong with a movie theater robbery and devolves into a medical cat-and-mouse game. The hospital setting was cool at first but the novelty wears off because the criminal is actually so stupid?? 😭 HOWEVER, there is a nice undercurrent throughout that shows a sensitivity towards the female characters and little glimpses into their lives. Definitely not enough substantial social commentary to carry the tired thriller, but appreciated just the same!
"I didn't want to kill anyone... I only wanted to go to New Zealand." Haven't we all been there?
Longest 82 minutes of my life.
I wanted to like this. I really did. But it was just so boring.
I though Lucy would be more of an interesting character but she was unconscious for the whole movie!!!!!!
None of the characters in the hospital were that interesting and the scenes got so repetitive after a while. Instead of building tension, it destroyed what little momentum the film had.
Very very disappointed.
I enjoyed Muriel Pavlow in the opening sequences so much so it was a real bummer that she gets sidelined in the hospital for the rest of the movie.
Noirvember #17
You Have 90 Minutes To Comply 2: Brevity Rules
52 Films Directed by Women 2 (6/52)
One thing I've found during my first go at this project, and now again during its sequel, is that finding anything feature length to watch online directed by a woman made before the 1990s is a pretty dispiriting task. I didn't want to just watch 'modern' films, I was interested in seeing a few titles from a more classic era as well.
Muriel Box's obscure British crime thriller Eyewitness (streaming on YouTube courtesy of a kindly Belinda Lee fan here) is an example of why I wanted to see a few more older films. From the very first scene, where Muriel Pavlow comes home…
The heroine shows up, reads her flaky husband the riot act, makes us love her, and then unfortunately spends the rest of the movie confined to a hospital bed in a concussion-induced fugue state. Which is too bad because she's a real pisser and I think she could have sorted this whole mess out pretty handily! This is another female-directed movie with more interesting texture than I usually expect out of a little mid-budget thriller, particularly the hearing-impaired safecracker and the ornery old lady at the hospital! Also I cheered when Running Nurse finally got to run :D
"I didn't want to kill anyone. I just wanted to go to New Zealand. "
love a dumbass criminal who thinks he's a genius. sort of repetitive, you watch this guy try and fail to break into a hospital room with different tom and jerry type schemes over and over and it's comical but then he finally gets in and you remember oh wait he wants to kill this woman and all the threat comes back
A tense and unusual British thriller in which Muriel Pavlow sees a murder at her local cinema just before being struck by a bus - while she recovers in hospital the murderer (Donald Sinden, cast against type and very good indeed) tries multiple times to kill her.
Set aside of the main plot there are some good character bits from Nigel Stock as Sinden's deaf sidekick, Belinda Lee's pretty nurse, Nicholas Parsons's urbane and slightly sexist doctor, Ada Reeve's grumbling elderly patient, Lionel Jeffries's spivvy drinker, and Michael Craig as Pavlow's worried husband.
With some nice twists and turns, an excellent screenplay from Janet Green with direction from Muriel Box, and a nice bit of location filming in Southall, this keeps things moving nicely, and feels completely rational in its everyday minutiae as we watch Sinden's cold killer slowly lapse into madness.