When I was first introduced to Amos Vogel's Film as a Subversive Art I quickly threw together a list of the titles mentioned in the book in alphabetical order so that I could work through Vogel's catalogue of subversive cinema. I decided to redo this list, since my original effort was minimal and didn't provide context for why each of the films was included. I have also made this list version far more comprehensive, since I have included the titles of films that are not available on TMBD.
N/A signifies a film that is not on TMDb.
The World View of Subversive Cinema
Blue Moses (Stan Brakhage, USA, 1962)
Canyon (Jon Jost, USA, 1971)
Disorder (Jacques Baratier, France, 1955) N/A
The Eclipse (Michelangelo Antonioni, Italy/France, 1962)
La Jetée (Chris Marker, France, 1963)
Even Dwarfs Started Small (Werner Herzog, West Germany, 1970)
The Goalie's Anxiety At The Penalty Kick (Wim Wenders, Austria, 1972)
Last Year At Marienbad (Alain Resnais, France/Italy, 1961)
Living In A Reversed World (Theodore Wrismann and Ivo Kohler, Austria, 195?)
Masculine-Feminine (Jean-Luc Godard, France, 1966)
Nothing Happened This Morning (David Bienstock, USA, 1965) N/A
No More Fleeing (Herbert Vesely, West Germany, 1955)
Rashomon (Akira Kurosawa, Japan, 1951)
Relativity (Ed Emshwiller, USA, 1966) N/A
Two Or Three Things I Know About Her (Jean-Luc Godard, France, 1966)
Zorn's Lemma (Hollis Frampton, USA, 1970)
Weekend (Jean-Luc Godard, France, 1968)
Why Not (S. Arakawa, USA, 1970) N/A
The Weapons of Subversion: The Subversion of Form
The Revolutionary Film - Avant-garde in Soviet Russia
Strike (Sergei Eisenstein, USSR, 1925)
Earth (Alexander Dovzhenko, USSR, 1930)
Storm Over Asia (V.I. Pudovkin, USSR, 1928)
The Man With The Movie Camera (Dziga Vertov, USSR, 1929)
Aesthetic Rebels and Rebellious Clowns
Expressionism: The Cinema of Unrest
The Cabinet of Dr. Caligari (Robert Wiene, Germany, 1919)
Death by Hanging (Nagisa Oshima, Japan, 1968)
Capricci (Carmelo Bene, Italy, 1969)
Our Lady Of The Turks (Carmelo Bene, Italy, 1969)
The Late Matthew Pascal (Marcel L'Herbier, France, 1924) N/A
The Cat And The Canary (Paul Leni, USA, 1927)
The Cremator (Juraj Herz, Czechoslovakia, 1968)
Visual Training (Frans Zwartjes, Holland, 1969)
Viva La Muerte (Arrabal, France, 1971)
The Liberation Of Mannique Mechanique (Steve Arnold, USA, 1971)
The Reality Of Karel Appel (Jan Vrijman, Holland, 1962)
Surrealism: The Cinema of Shock
Aos (Yoki Kuri, Japan, 1964)
An Andalusian Dog (Luis Bañuel and Salvador Dali, France, 1929)
The Discreet Charm Of The Bourgeoisie (Luis Bañuel, France, 1972)
Eaten Horizons (Wilhem Freddie, Denmark, 1950)
An Eater (Kazumoto Fuzino, Japan, 1963) N/A
The Gift (Jacques Vausseur and Dick Roberts, France, 1961) N/A
The Church Bell (Jean L'Hote, France, 1964) N/A
La Gran Siguriya (Jose Val Del Omar, Spain, 1955)
Runs Good (Pat O'Neill, USA, 1971)
Magritte (Luc De Heusch, Belgium, 1955?)
Mr Frenhofer And The Minotaur (Sidney Peterson, USA, 1949)
Our Lady Of The Sphere (Larry Jordan, USA, 1969)
The Running, Jumping And Standing Still Film (Richard Lester and Peter Sellers, Great Britain, 1959)
The World Of Paul Delvaux (Henri Storck, Belgium, 1947)
The Lead Shoes (Sidney Peterson, USA, 1949)
Dada and Pop: Anti Art?
Anemic Cinema (Marcel Duchamp, France, 1926)
A La Mode (Stan Vanderbeek, USA, 1961)
The Death Of Maria Malibran (Werner Schroeter, Germany, 1971)
A Day In Town (Pontus Hulten and Hans Nordenstrom, Sweden, 1956)
Cosmic Ray (Bruce Conner, USA, 1962)
Homage To Jean Tinguely (Robert Breer, USA, 1960)
Oh Dem Watermelons (Robert Nelson, USA, 1965)
Pianissimo (Carmen D'Avino, USA, 1963)
Further Adventures Of Uncle Sam (Robert Mitchell and Dale Chase, USA, 1971)
Jamestown Baloos (Robert Breer, USA, 1967)
Science Fiction (Stan Vanderbeek, USA, 1960)
Skullduggery (Stan Vanderbeek, USA, 1956)
Sort Of A Commercial For An Icebag (Michel Hugo, USA, 1970)
The Destruction of Time and Space
Aktion 540 (Werner Koenigs, West Germany, 1968) N/A
Meshes Of The Afternoon (Maya Deren, USA, 1943)
Chinese Firedrill (Will Hindle, USA, 1968) N/A
The Door In The Wall (Glenn H. Alvey, Great Britain, 1956)
Go Slow On The Brighton (Donald Smith, Great Britain, 1952) N/A
God Is Dog Spelled Backwards (Don McLaughlin, USA, 1967) N/A
Hiroshima Mon Amour (Alain Resnais, France/Japan, 1959)
The House (Louis A. van Gasteren, Netherlands, 1961) N/A
In Marin County (Peter Hutton, USA, 1971) N/A
The Blood Of A Poet (Jean Cocteau, France, 1930)
Prune Flat (Robert Whitman, USA, 1965) N/A
Power Of Plants (Paul F. Moss and Thelma Schnee, USA, 1949) N/A
Renaissance (Walarian Borowczyk, France, 1963)
Smoking (Joe Jones, USA, 1970)
The Destruction of Plot and Narrative
Akran (Richard Myers, USA, 1970)
Anticipation Of The Night (Stan Brakhage, USA, 1957)
L'Avventura (Michelangelo Antonioni, Italy, 1960)
Empire (Andy Warhol, USA, 1964)
Destroy, She Said (Marguerite Duras, France, 1969)
The Married Woman (Jean-Luc Godard, France, 1964)
Don Giovanni (Carmelo Bene, Italy, 1970)
Vampyr (Pedro Portabella, Spain, 1970)
Katzelmacher (Rainer Werner Fassbinder, West Germany, 1969)
La Verifica Incerta (Gian Franco Barucello and Alberto Griffi, Italy, 1965)
The Assault on Montage
Before The Revolution (Bernardo Bertolucci, Italy, 1964)
Breathless (Jean-Luc Godard, France, 1959)
The Chronicles Of Anna Magdalena Bach (Jean-Marie Straub, Germany, 1967)
Touch Of Evil (Orson Welles, USA, 1957)
The Red And The White (Miklós Jancsó, Hungary, 1968)
Twice A Man (Gregory J. Markopoulos, USA, 1963)
Wavelength (Michael Snow, USA, 1967)
The Triumph and Death of the Moving Camera
The Camera Moves
The Last Laugh (F.W. Murnau, Germany, 1924)
Running Shadow (Robert Fulton, USA, 1971) N/A
Red Song (Miklós Jancsó, Hungary, 1972)
Variety (Ewald Andre Dupont, Germany, 1925)
Minimal Cinema
Color Film (Standish Lawder, USA, 1971)
A Film (Sylvina Boissonnas, France, 1969) N/A
Kiss (Andy Warhol, USA, 1962)
Naissant (Stephen Dwoskin, Great Britain, 1967)
Particle Removal Series (David McCullough, USA, 1972) N/A
On A Most Beautiful Meadow (Peter von Guten, Switzerland, 1968) N/A
Railroad (Lutz Mommartz, Germany, 1967)
Runaway (Standish Lawder, USA, 1970)
Sleep (Andy Warhol, USA, 1963-4)
Straining towards the Limits
Bells Of Atlantis (Ian Hugo, USA, 1953)
Ballet Mécanique (Fernand Leger, France, 1924)
Beyond The Law (Norman Mailer, USA, 1968)
Blazes (Robert Breer, USA, 1961)
Black TV (Aldo Tambellini, USA, 1969)
Damon The Mower (George Dunning, Great Britain, 1971)
Flicker (Tony Conrad, USA, 1966)
H2O (Ralph Steiner, USA, 1929)
Innocence Unprotected (Dusan Makavejev, Yugoslavia, 1968)
Institutional Quality (George Landow, USA, 1969) N/A
For Example (S. Arakawa, USA, 1971) N/A
The Man Who Left His Will On Film (Nagisa Oshima, Japan, 1970)
Permutations (John Whitney, USA, 1968)
Persona (Ingmar Bergman, Sweden, 1965-66)
Arnulf Rainer (Peter Kubelka, Austria, 1957)
Razor Blades (Paul Sharits, USA, 1968)
N.Y., N.Y. (Francis Thompson, USA, 1968)
The Secret Cinema (Paul Bartel, USA, 1968)
UFO'S (Lillian Schwartz and Ken Knowlton, USA, 1972)
The Weapons of Subversion: The Subversion of Content
International Left and Revolutionary Cinema
The West: Rebels, Maoists, and the New Godard
The Bells Of Silesia (Peter Fleischmann, West Germany, 1972)
Black Panthers (Agnes Varda, USA, 1969)
The Cry Of Jazz (Edward Bland, USA, 1959)
Deadline For Action (Union Films, USA, 1948?) N/A
Delaware (Newsreel film collective, USA, 1968/9) N/A
Eight Flags For 99 Cents (Charles Olin, USA, 1970) N/A
An Evil Hour (Peter Wolff, USA, 1970) N/A
The Battle Of Algiers (Gillo Pontecorvo, Italy, 1966)
Guidebook To Bonn And Environs (Manfred Vosz, West Germany, 1969) N/A
Hail (Fred Levinson, USA, 1971)
The Hamburg October 1923 Insurrection (Reiner Etz, Gisela Tuchtenhagen, and Klaus Wildenhahn, West Germany, 1972) N/A
Hog Calling Blues (Neal Pace, USA, 1969) N/A
The Great Society (Fred Mogubgub, USA, 1967?)
The Murder Of Fred Hampton (Mike Gray, USA, 1971)
Land Without Bread (Luis Bañuel, Spain, 1932)
Ice (Robert Kramer, USA, 1970)
I'm A Man (Peter Rosen, USA, 1969) N/A
I'm Going To Give You All My Love (Jerrold Peil, USA, 1971) N/A
O Dreamland (Lindsay Anderson, Great Britain, 1953)
Mickey Mouse In Vietnam (Lee Savage, USA, 1968)
Palestine (Nick Macdonald, USA, 1971) N/A
The People And Their Guns (Joris Ivens and film collective, France, 1967) N/A
Pravda (Jean-Luc Godard and Dziga Vertov group, France, 1969)
Punishment Park (Peter Watkins, Great Britain, 1971)
The Revolutionary Was A Cop (Marc Weiss, USA, 1971) N/A
Recruits In Ingolstadt (Rainer Werner Fassbinder, West Germany, 1971)
Robert Wall, Ex-FBI Agent (Michael Anderson, Paul Jacobs, Saul Landau, and Bill Yahrans, USA, 1972) N/A
Saint Michael Had A Rooster (Paolo and Vittorio Taviani, Italy, 1971)
The Spanish Earth (Joris Ivens, USA, 1937)
Spain 68 (Unitelefilm Collective, Italy, 1968) N/A
See You At Mao (Jean-Luc Godard and Dziga Vertov group, France/Great Britain, 1969)
12-12-46 (Bernard Stone, USA, 1966) N/A
Wholly Communion (Peter Whitehead, Great Britain, 1965)
Yippie (Yippie Film Collective, USA, 1968)
The Sudden Wealth Of The Poor People Of Kombach (Volker Schloendorff, West Germany, 1971)
Valparaiso, Valparaiso (Pascal Aubier, France, 1971) N/A
The Woman's Film (Judy Smith, Louise Alaimo, and Ellen Sorrin [San Francisco Newsreel film collective], USA, 1971) N/A
Sunday (Dan Drasin, USA, 1961)
Susan After The Sugar Harvest (Peter Robinson, USA, 1971) N/A
Three Lives (Kate Millett, USA, 1971) N/A
Troublemakers (Robert Machover and Norman Fruchter, USA, 1966) N/A
Subversion in Eastern Europe: Aesopian Metaphors
An Affair Of The Heart, or The Tragedy Of A Switchboard Operator (Dusan Makavejev, Yugoslavia, 1967)
Alone (Vince Lakatos, Hungary, 1969) N/A
Among Men (Wladyslaw Slesicki, Poland, 1962)
...And The Fifth Horseman Is Fear (Zbynek Brynuch, Czechoslovakia, 1964)
The Apartment (Jan Svankmajer, Czechoslovakia, 1968)
Birds, Orphans, And Fools (Juro Jakubisco, France, 1971)
Be Sure To Behave (Peter Solan, Czechoslovakia, 1968) N/A
Daisies (Vera Chytilova, Czechoslovakia, 1966)
The Chair (Daniel Szczechura, Poland, 1963)
Early Works (Zelimir Zilnik, Yugoslavia, 1969)
Fireman's Ball (Milos Forman, Czechoslovakia, 1967)
The Fly (Aleksander Marks and Vladimir Jutrisa, Yugoslavia, 1967)
Identification Marks: None (Jerzy Skolimowski, Poland, 1964)
The Deserter And The Nomads (Juro Jakubiscko, Czechoslovakia, 1968)
Home (Walerian Borowczyk and Jan Lenica, Poland, 1958)
The Machine (Daniel Szchechura, Poland, 1963)
My Dearest Wish (Jan Spata, Czechoslovakia, 1965) N/A
Per Aspera Ad Astra (Nedeljko Dragić, Yugoslavia, 1969)
Demonstrations (Anonymous, Czechoslovakia, 1967) N/A
The Joke (Jaromil Jires, Czechoslovakia, 1968)
Merry Working Class (Bojana Marijah, Yugoslavia) N/A
Labyrinth (Jan Lenica, Poland, 1962)
Don Quixote (Vlado Kristi, Yugoslavia, 1961)
Not All That Flies Is a Bird (Borislav Sajtinac, Yugoslavia, 1970)
Student Strikes (Zelimir Zilnik, Yugoslavia, 1968) N/A
Jan Palach (Anonymous, Czechoslovakia, 1969) N/A
The Technique And The Rite (Miklós Jancsó, Italy, 1971)
Untitled (Borivoj Dovnikovic, Yugoslavia, 1965)
The Wall (Ante Zaninovic, Yugoslavia, 1966)
Ordinary Courage (Evald Schorm, Czechoslovakia, 1964)
Andrei Roublev (Andrei Tarkovsky, USSR, 1962-67)
Report On The Party And The Guests (Jan Nemac, Czechoslovakia, 1966)
Wandering (Jan Cunk and Antonin Masa, Czechoslovakia, 1965) N/A
WR - Mysteries Of The Organism (Dusan Makavejev, Yugoslavia, 1971)
The Round-Up (Also: The Hopeless Ones) (Miklós Jancsó, Hungary, 1965)
Two Men And A Wardrobe (Roman Polanski, Poland, 1957)
The Third World: A New Cinema
The Alienist (Nelson Pereira Dos Santos, Brazil, 1970) N/A
Antonio-Das-Mortes (Glauber Rocha, Brazil, 1969)
Blood Of The Condor (Jorge Sanjines, Bolivia, 1970)
Apropos Of A Person Variously Called Holy Lazarus Or Babalu (Octavio Cortazar, Cuba, 1968) N/A
Child Undernourishment (Alvaro Ramirez, Chile, 1969)
Culebra: The Beginning (Diego de la Texera, Puerto Rico, 1971) N/A
Emitai (Ousmane Sembene, Senegal, 1971)
The First Charge Of The Machete (Manuel Octavio Gomez, Cuba, 1969)
The Heirs (Carlos Diegues, Brazil, 1968/9) N/A
The Secret Formula (Ruben Gomez, Mexico, 1966)
79 Springtimes (Santiago Alvarez, Cuba, 1969)
The Hour Of The Blast Furnaces (Fernando Solanas, Argentina, 1967)
Time Of Violence (Anonymous, Argentina, 1970) N/A
The Gods And The Dead (Ruy Guerra, Brazil, 1970)
Macunaima (Joachim Pedro de Andrade, Brazil, 1969)
Mandabi (The Money Order (Oshane Sembene, Senegal, 1968)
Prato Palomares (André Faria, Brazil, 1970) N/A
Que Hacer? (Saul Landau, James Becket, Raul Ruiz, and Nina Serrano, Chile-USA, 1970) N/A
Reed (Mexico Insurgent) (Paul Leduc, Mexico, 1971)
East Germany: Against the West
Holiday On Sylt (Annelie and Andrew Thorndike, East Germany, 1959) N/A
O.K. (Walter Heynowski, East Germany, 1964) N/A
Pilots In Pajamas (Walter Heynowski and Gerhard Scheumann, East Germany, 1968) N/A
Superior Toys - Made In The USA (Guenter Raetz, East Germany, 1969) N/A
The Laughing Man (Walter Heynowski and Gerhard Scheumann, East Germany, 1967)
The Terrible Poetry of Nazi Cinema
Triumph Of The Will (Leni Riefenstahl, Germany, 1936)
Baptism Of Fire (Hans Bertram, Germany, 1940)
The Eternal Jew (Fritz Hippler, Germany, 1940)
Secrets and Revelations
Beauty Knows No Pain (Elliot Erwitt, USA, 1971)
Acupunctural Anaesthesia (Peking Television, People's Republic of China, 1971?)
Boy (Nagisa Oshima, Japan, 1969)
Ai (Yoji Kuri, Japan, 1964)
The Casting (James Pasternak, USA, 1971) N/A
Claire's Knee (Eric Rohmer, France, 1970)
Cuckoo Waltz (Edward van Moerkerken, Holland, 1955) N/A
Dinner Three Minutes (Jean-Paul Vroom, Netherlands, 1969) N/A
The Dove (George Coe, USA, 1971)
Dreams That Money Can Buy (Hans Richter, USA, 1948)
Faces (John Cassavetes, USA, 1968)
Eikka Katappa (Werner Schroeter, West Germany, 1970) N/A
Gestapomann Schmidt (Jerzy Ziarnik, Poland, 1964)
Happiness (Agnes Varda, France, 1966)
How I Became A Negro (Roland Gall, West Germany, 1970) N/A
I Love You, I Kill You (Uwe Brandner, West Germany, 1971) N/A
The Japanese Sword (T. Asano, Japan, 1958) N/A
Land Of Silence And Darkness (Werner Herzog, West Germany, 1971)
The Mailman (Daryush Mehrjui, Iran, 1971) N/A
Margalit, The Highway Queen (Menahem Golan, Israel, 1971) N/A
Moonwalk No. 1 (USA, 1971) N/A
Paris Belongs To Us (Jacques Rivette, France, 1958/60)
The Revealer (Philippe Garrel, France, 1968)
Titicut Follies (Frederick Wiseman, USA, 1967)
Tales Of Kübelkind (Ula Stoeckl and Edgar Reitz, West Germany, 1970) N/A
The Scandalous Adventures Of Buraikan (Masahiro Shinoda, Japan, 1970)
Salesman (David and Albert Maysles, USA, 1969)
Weapons of Subversion: Forbidden Subjects of the Cinema
The Attack on Puritanism: Nudity
The Bed (James Broughton, USA, 1967)
Documentary Footage (Morgan Fisher, USA, 1968) N/A
Fly (Yoko Ono, USA, 1971)
Number 4 (Yoko Ono, Great Britain, 1968)
The End of Sexual Taboos: Erotic and Pornographic Cinema
Black Pudding (Nancy Edell, Great Britain, 1971) N/A
'Beaver' Films (USA, 1970) N/A
The Continuing Story Of Carel And Ferd (Arthur Ginsberg, USA, 1972)
Coming Apart (Milton Moses Ginsberg, USA, 1969)
Barbarella (Roger Vadim, France, 1968)
Dear John (Lars Magnus Lindgren, Sweden, 1964)
Everready (Anonymous, USA, circa 1925)
Electrosex (Anonymous, USA, 1970) N/A
Fuses (Carolee Schneemann, USA, 1964-7)
The Go-Between (Joseph Losey, Great Britain, 1971)
History Of The Blue Movie (Alex de Renzie, USA, 1971)
I Am Curious - Yellow/Blue (Vilgot Sjoman, Sweden, 1967)
Last Tango In Paris (Bernardo Bertolucci, France/Italy, 1972)
Kodak Ghost Poems (Andre Noren, USA, 1970) N/A
Orange (Karen Johnson, USA, 1969) N/A
Psychomontage (Eberhard and Phyllis Kronhausen. USA, 1960?)
Schoolgirl (David Reberg, USA, 1971) N/A
Secrete Of Life (Victor Faccinto, USA, 1971) N/A
Sex (David Avidan. Israel, 1971) N/A
Shadow Of An Apple (Robert Lapoujade, France, 1965?) N/A
Tales (Cassandra Gerstein, USA, 1970) N/A
A Stranger Knocks (Johan Jacobsen, Denmark, 1963)
Take Me (Stephen Dwoskin, Great Britain, 1969)
What Goes On At Sex Therapy Clinics (Community Medical Cable Casting, USA, 1972) N/A
The End of Sexual Taboos: Homosexuality and Other Variants
The Abominable Dr. Hitchock (Riccardo Freda, Italy, 1962)
Belle De Jour (Luis Bañuel, France, 1966)
The Bloodthirsty Fairy (Roland Lethem, Belgium, 1968) N/A
Blow Job (Andy Warhol, USA, 1963/4)
Un Chant D'Amour (Jean Genet, France, 1950)
But Do Not Deliver Us From Evil (Joel Seria, France, 1971)
Cybele (Donald Richie, Japan, 1968)
A Clockwork Orange (Stanley Kubrick, USA, 1972)
Le Départ (Jerzy Skolimowski, Belgium, 1967)
Diary Of A Shinkuku Thief (Nagisa Oshima, Japan, 1968/9)
Fireworks (Kenneth Anger, USA, 1947)
Flaming Creatures (Jack Smith, USA, 1962)
Flesh Of Morning (Stan Brakhage, USA, 1956)
Death In Venice (Luchino Visconti, Italy, 1971)
Fragment Of Seeking (Curtis Harrington, USA, 1946)
Frenzy (Alfred Hitchcock, Great Britain, 1971)
Heat (Paul Morrissey, USA, 1972)
It Is Not The Homosexual Who Is Perverse, But The Situation In Which He Lives (Rosa von Praunheim, West Germany, 1971)
Lovemaking (Stan Brakhage, USA, 1969) N/A
Mona (Bill Osco, USA, 1970) N/A
The Man From Onan (Alan Ruskin, USA, 1971) N/A
Murmur Of The Heart (Louis Malle, France, 1971)
Particularly Valuable (Helmuth Costard, Germany, 1968)
Portrait Of Jason (Shirley Clarke, USA, 1967)
Sodoma (Otto Muehl, Austria, 1970)
The Suppression Of Women Is Recognizable Above All By The Behaviour Of The Women Themselves! (Helmuth Costard, West Germany, 1969) N/A
Violated Angels (Koji Wakamatsu, Japan, 1967)
Trash (Paul Morrissey, USA, 1970)
Why (Phyllis and Eberhard Kronhausen, Denmark, 1971) N/A
The First Mystery: Birth
All My Babies (George Stoney, USA, 1953)
The Beginning Of Life (Lars Wallen, Sweden, 1968) N/A
Kirsa Nicholina (Gunvor Nelson, USA, 1970)
The Private Life Of A Cat (Alexander Hammid, USA, 1946)
Window Water Baby Moving (Stan Brakhage, USA, 1959)
The Ultimate Secret: Death
The Act Of Seeing With One's Own Eyes (Stan Brakhage, USA, 1972)
The Atom Strikes (Army Pictorial Service, U.S. Signal Corps For War Department, USA, 1950)
Birth And Death (Arthur and Evelyn Barron, USA, 1968) N/A
The Blood Of The Beasts (Georges Franju, France, 1949)
Death Day (Visuals: Sergei M. Eisenstein, Mexico, 1934) N/A
Diabolique (Henri-Georges Clouzot, France, 1955)
The End Of One (Paul Kocela, USA, 1971) N/A
Forbidden Bullfight (Denys Colomb de Daunant) N/A
Forbidden Games (René Clement, France, 1952)
Germ and Chemical Warfare (CBS News, USA, 1968) N/A
Interviews With My Lai Veterans (Joseph Strick, USA, 1971)
It Is Good To Live (Fumio Kamei, Japan, 1958) N/A
Meditation On The End Of Human Life (Jovan Kubicek, Czechoslovakia, 1967) N/A
A Movie (Bruce Conner, USA, 1958)
Necrology (Standish Lawder, USA, 1969)
Wintersoldier (Winterfilm Collective, USA, 1972)
The Race (William Copland, Australia, 1970) N/A
Reflection (Evald Schorm, Czechoslovakia, 1965)
Rite Of Love And Death (Yukio Mishima, Japan, 1965)
Sirius Remembered (Stan Brakhage, USA, 1959)
To Live (Carlos Vilardebo, France, 1960?) N/A
The Twilight Of The Damned (Ahmed Rachedi, Algeria, 1970) N/A
Vietnam, Land Of Fire (No credits available, France, 1966) N/A
When Love Fails (episode in Love In The City) (Michelangelo Antonioni, Italy, 1953)
The War Game (Peter Watkins, Great Britain, 1965)
Concentration Camps
Archeology (Andrzej Brzozowski, Poland, 1967) N/A
A Town Presented To The Jews As a Gift By The Fürher (Vladimir Kressl, Czechoslovakia, 1968) N/A
Camps Of The Dead (Allied cameramen, France, 1947)
Butterflies Do Not Live Here (Miro Bernat, Czechoslovakia, 1958) N/A
Chotyn - 5 km (Igor Kolovsky, USSR, 1968) N/A
The Games Of The Angels (Walerian Borowczyk, France, 1964)
Distant Journey (Alfred Radok, Czechoslovakia, 1948)
I Was A Kapo (Tadeusz Jaworski, Poland, 1964) N/A
Memorandum (Donald Brittain and John Spotten, Canada, 1966)
Night And Fog (Alain Resnais, France, 1955)
Sighet, Sighet (Harold Becker, USA, 1967) N/A
Warsaw Ghetto (Anonymous, Germany, 1943/4)
The Attack on God: Blasphemy and Anti-Clericalism
L'Âge D'Or (Luis Banuel, France, 1930)
Archangel Gabriel (Jiri Trnka, Czechoslovakia, 1965)
Constitution And Censorship (Stephen Shariff, USA, 1953) N/A
Every Seventh Child (Jack Willis, USA, 1967) N/A
L'Imitation Du Cinema (Marcel Marien, Belgium, 1959) N/A
Marjoe (Howard Smith and Sarah Kernochan, USA, 1972)
The Miracle (Roberto Rossellini, Italy, 1948)
Mother Joan Of The Angels (Jerzy Kawalerowicz, Poland, 1961)
A Note From Above (Derek Phillips, Great Britain, 1969) N/A
Maria-Conception-Action-Hermann Nitsch (Irm and Ed Sommer, West Germany, 1969)
The Nun (Jacques Rivette, France, 1965)
Rape (Wim van der Linden, Holland, 1966)
The Sin Of Jesus (Robert Frank, USA, 1961)
Roma (Federico Fellini, Italy, 1972)
Simon Of The Desert (Luis Bañuel, Mexico, 1966)
Viridiana (Luis Bañuel, Spain/Mexico, 1961)
Trance and Witchcraft
The Andromeda Strain (Robert Wise, USA, 1971)
Day of Wrath (Carl Theodor Dreyer, Denmark, 1943)
The Big Shave (Martin Scorsese, USA, 1967)
Bitter Grapes (Richard Bartlett, USA, 1968) N/A
The Fire Walkers (Roussos Condouros, Greece, 1961) N/A
Good Morning (Yasujiro Ozu, Japan, 1960)
Here Comes Every Body (John Whitmore, USA, 1972) N/A
The House Is Black (Foroogh Farrokhzad, Iran, 1963)
Inauguration Of The Pleasure Dome (Kenneth Anger, USA, 1957)
Look At Life (Nicholas Gosling, Great Britain, 1969) N/A
Le Sang (Jean-Daniel Pollet, France, 1971) N/A
Saturday Morning (Kent Mackenzie, USA, 1970) N/A
La Taranta (Gianfranco Mengozzi, Italy, 1961) N/A
Selective Service System (Warren Haack, USA, 1970) N/A
Towards a New Consciousness
Counterculture and Avant-garde
Allures (Jordan Belson, USA, 1961)
Apotheosis (John Lennon, Great Britain, 1970)
Bed And Sofa (Abram Room, USSR, 1927)
Breathing Together: Revolution Of The Electric Family (Morley Markson, Canada, 1970) N/A
Co-Co Puffs (Ira Wohl, USA, 1972) N/A
Family (Hubert Smith, USA, 1971) N/A
Fata Morgana (Werner Herzog, Germany, 1970)
Free Radicals (Len Lye, USA, 1957?)
Glen And Randa (Jim McBride, USA, 1971)
A Hard Day's Night (Richard Lester, Great Britain, 1964)
Lapis (James Whitney, USA, 1963-7)
Lightning Waterfall Fern Soup (Shelby Kennedy, USA, 1971) N/A
Paradise Now (Sheldon Rachlin, Great Britain, 1970) N/A
Nebula II (Robert Frerck, USA, 1971) N/A
Samadhi (Jordan Belson, USA, 1968)
This Is It (James Broughton, USA, 1971)
Self-Obliteration (Jud Yalkut, USA, 1967)
