Synopsis
A young man with magical powers journeys to his uncle to request help in fighting his sorcerer father.
Directed by Souleymane Cissé
A young man with magical powers journeys to his uncle to request help in fighting his sorcerer father.
Yeelen: Das Licht, La luz, 빛, Yeelen: Το Φως, La Lumière, Das Licht, 밝음, Det magiska ljuset, Światło, Яркий свет, Brightness, Luce, Yeelen - Das Licht, 光之翼, A Luz, ひかり
"my penis betrayed me!" is a god-tier line.
entrancing and powerful and majestic. the shot of Attou's son carrying the egg amid the desert is going to stick with me for a long time.
Yeelen nos fala de luz, esse nome significa justamente isso, “a luz”. Mas o filme está carregado de sombras, de magia e de morte. Os sacrifícios são uma constante, assim como perpassa toda a história uma certa luta entre o bem e o mal. Para muitos, também, assistir a Yeelen pode ser um sacrifício, e eu não os culpo. Este é um dos filmes mais distantes de tudo o que a maioria está acostumada a assistir (eu me incluo nisso). Esse tom um tanto documental da produção, que tem direção e roteiro de Souleymane Cissé, é um dos pontos fortes do filme. Afinal, quantas oportunidades você teve de assistir a um filme de Mali? Que não só fosse ambientado naquele…
1st Souleymane Cissé
One of the most remarkable films I've ever seen, one that stubbornly thumbs its nose at the European concepts of cinema to produce something gloriously individualistic. Cissé's film draws on Malian folk legend and the memory of the four century long Malian Empire in his construction of a faintly Oedipal narrative where a son must kill his father, a dangerous sorcerer who worries that said son will be the death of him. Cissé's approach to performance is radically difference to what we in the West understand; the dialogue is less conversation and more a series of chants and declarations, framed immaculately and edited with a slow, heavy rhythm that emphasises the power individual speaker possesses in that…
This really put me in another world but thankfully guided me with an opening write-up with some drawn imagery to give you some talisman guidance through this Mali 13th century past with a story that is ripe for interest cause right out of the gate you have a dad trying to track down his son to kill him and a son not knowing why but only guided by his aged mother trying to protect him. Now I am not going to get into the weeds to much on this cause honestly I don't totally have the colloquial knowledge to unpack all this material but I can say that there is some seriously solid imagery that holds weight and a story…
I bless the runes down in Africa.
A spectacularly minimalist African fairy tale where one man’s penis betrays him, and another has two men carry around his “magic pole”…but I’m sure there’s no symbolism there.
Myth revisited by filmm image. Very directed but with strong troubling undercurrent animated the images as Cisse direction remains commited to drama while commenting on it. Amazing colors and landscape wotk. The final confrontation is great.
The magical/mystical elements throughout the film help emphasize and create such a rich, vibrant atmosphere that's immersive from start to finish. Nonetheless, the lore and culture of this movie is quite overwhelming at times, often taking away from the development of our main characters. That's what made the finality of this movie so anticlimactic for me, the fact that there was seemingly no emotion in the confrontation between father and son.
El Topo: African edition
I'm not sure what I was expecting from Yeelen, but it wasn't this. Mostly filmed on the savannah of Burkina Faso, it's an incredible tale of magic and sorcery with a similarly wacky vibe to Jodorowsky's films.
Absolutely mental, but fun nonetheless.
"An ant on its feet can do more than an elephant lying down."
- African Proverb
A starkly original Malian folklore-esque fantasy with an interesting setting and mesmerizing direction; definitely deserves to have a bigger audience.
More, please. This is a beautifully shot myth on cinema, the creation story for a people that are going to have to deal with a lot of unfairness, but ultimately persevere-it encompasses pointless tragedy and things going wrong, but also a sense that the universe will guide you through, that there are allies in nature, and that those who exploit the world around them for their own egos (and kill albinos) can't escape their fate, while those who accept their fate will create a lasting legacy. It also does that thing I love in Fantasy where the plot gets rolling because of one of those ironic prophecies that's sparked by the villain(?)'s own insecurities over the prophecy, and for what…
Day 2. 6th Film, 5th Country: Mali
of the "May: 30 Days, 30 Countries" Challenge.
It is clear that Souleymane Cissé is not just any director. He directs this with the confidence and conviction of a master. It is a brilliant piece of cinema and has the power, poetry and rawness of early Herzog. I have to see more by him!