Tyler MacGregor

Tyler MacGregor Pro

Favorite films

  • Synecdoche, New York
  • Pulp Fiction
  • The Empire Strikes Back
  • Paterson

Recent activity

All
  • Backrooms

    ★★★★

  • Hook

    ★★★★

  • Nashville

    ★★★★★

  • The Straight Story

    ★★★★★

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Paterson
★★★★★ Liked Rewatched

So here’s a little fact about me. I used to write screenplays when I was younger. They were mostly just action or horror stories, but I would read the screenplays to some of my favourite films to get a sense of how to structure them. I mostly did it for fun, but I had the hope that one day I’d be able to bring them to life, despite the more cynical (or realistic) people in my life very bluntly telling…

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The Straight Story
★★★★★ Liked Watched

“Walt Disney Pictures presents a film by David Lynch” might just be the most surreal thing I’ve seen in any David Lynch picture.

What everyone considers the most unique, the most outlier David Lynch film, I think might just be the most David Lynch David Lynch film of them all. Or at least, the one that taps the closest into how he really views the world. His films always dip into dark, horrifying depths, there’s a dualism to his films…

Anger Management
★★½ Watched

Jack Nicholson ragebaits Adam Sandler and I for an hour and a half in between cameo appearances from the likes of Woody Harrelson, John C Reilly, and that dude who touches himself in front of someone he thinks is 15 in the second Borat movie. Not great, too anxious and mean-spirited to allow your brain to turn off, but honestly, it got a handful of laughs out of me. Jack Nicholson can do no wrong, absolutely outshines everyone on the cast.

















Oh my goodness, a wild Joseph Duffy!

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Oh, Canada
★★½ Watched

I get what the film is trying to do, what it's trying to say, Richard Gere is really fantastic, but I just found the broader whole very disjointed and unfocused. Part of it is definitely intentional, given the film's framing with the state of Leonard, there's definitely supposed to a certain disappointment by the end, but the message it leaves with you with ultimately feels a bit flat.

Arco
★★★★ Watched

Very clearly owes a lot to Ghibli, something Ugo Bienvenu was open about in the Q&A, and not just in terms of visuals. That thematic clash of optimism and pessimism that both he and Natalie Portman went into, it's very core to Miyazaki's work as well. It isn't just some derivative style over substance knockoff though, it has its own voice, its own heart, and it creates a world all its own.

Someone also brought their kid to the screening, and the way Natalie kept trading faces with them during the Q&A was very wholesome.