Directed by Michael Mann
Obsessive master thief Neil McCauley leads a top-notch crew on various daring heists throughout Los Angeles while determined detective Vincent Hanna pursues him without rest. Each man recognizes and respects the ability and the dedication of the other even though they are aware their cat-and-mouse game may end in violence.
Al Pacino Robert De Niro Val Kilmer Jon Voight Tom Sizemore Diane Venora Amy Brenneman Ashley Judd Mykelti Williamson Wes Studi Ted Levine Natalie Portman William Fichtner Kevin Gage Hank Azaria Dennis Haysbert Tom Noonan Danny Trejo Kim Staunton Susan Traylor Henry Rollins Ricky Harris Jerry Trimble Martin Ferrero Tone Loc Begonya Plaza Hazelle Goodman Ray Buktenica Jeremy Piven Show All…
Joel Kramer Tony Brubaker Tim Werner Daniel O'Haco Doug Coleman Lisa Dempsey Jeff Imada Bobby Bass David Lea Courtney Pakiz John Rottger Jimmy N. Roberts Keith Woulard Cliff McLaughlin Joe Bucaro III Tom Glass David LeBell Gary Littlejohn Peewee Piemonte John Tamburro Laura Albert Laura Dash Monty L. Simons Rick Avery John Cenatiempo Charles A. Tamburro Norman Howell Gary McLarty Chris Cenatiempo Kim Kahana Jr. Lane Leavitt Chuck Zito Thomas J. Larsen Nicholas Rich Pete Turner Tom Elliott Charlie Picerni
Per Hallberg Lee Orloff David Jobe Ellen Heuer John Arrias Christopher Moriana Larry Kemp Andy Nelson Anna Behlmer Ron Bartlett Chris Jenkins Mark Smith
Сутичка, Схватка, 히트, Obsesia, Heat - Cidade Sob Pressão, ヒート, Fuego contra fuego, Gorączka, Heat - La sfida, Fogo Contra Fogo, Ένταση, Büyük Hesaplaşma, Nelítostný souboj, 盜火線, ヒート：1995, 盗火线, Տապ, Szemtől szemben, Heat - ajojahti, Врелина, الحرارة, היט, Жега, Tension, Vrućina, 烈火悍將, Pinge, Fuego contra Fuego, Vročina, Karštis, Neľútostný súboj, ฮีท คนระห่ำคน, مخمصه, Kỳ Phùng Địch Thủ, Sadursme, შერკინება
USAR Burbank, California 
PortugalM/12 Fantasporto - Porto International Film Festival 
Thailand USAR 
Ireland18 
UK15 
Denmark15 
ItalyT 
AustraliaMA 15+ 
Belgium16 
Argentina+16 
Netherlands12 
Sweden15 
Uruguay 
FranceTP 
Spain12 
Greece16 
Brazil14 PortugalM/16 
PhilippinesR-18 
Germany16 
SingaporeNC16 
Austria 
FinlandK-16 
Switzerland18 
Turkey18+ Switzerland Switzerland 
Hong KongIIB 
Russia18+ 
Slovakia 
Norway18 
Bulgaria 
Romania18+ 
Czechia15+ 
Hungary18 
Poland18 
Estonia 
JapanPG12 
South Korea19 South Korea19 France10 Hong Kong France16 
Taiwan18+ 
Ecuador Italy UK15 France 
MexicoC 
Canada18A France Germany16 Netherlands12 France16 Netherlands12 Germany16 
South Africa16 
Indonesia21+ 
IndiaA 
Egypt 
Israel16 Netherlands12 
United Arab Emirates Argentina Australia Austria Belgium Brazil Bulgaria Canada Czechia Denmark Ecuador Egypt Estonia Finland France Germany Greece Hong Kong Hungary India Indonesia Ireland Israel Italy Japan Mexico Netherlands Norway Philippines Poland Portugal Romania Russia Singapore Slovakia South Africa South Korea Spain Sweden Switzerland Taiwan Thailand Turkey UK USA United Arab Emirates Uruguay 
This review may contain spoilers. I can handle the truth.
That moment when DeNiro realizes he has to go after Waingro. He's not a romantic hero, he's a small-minded man of violence driven not by ideals or esoteric codes but by the basest of human urges.
That moment when Pacino practically dances down the hospital stairs, gleefully fleeing his family for the sake of the chase, freed from the pretense of normalcy, from the obligation to care about anyone else.
The tragedy and joy of learning that you cannot escape your fate, that you cannot be anything other than what you are.
Other Mann films are more romantic: the heroes of Mohicans and Blackhat see everything around them destroyed and disappear into the wilderness, but together. Miami Vice fuses the romantic and the tragic: the lovers are kept apart, but by the nature of their world, not by choice.
It's cool when a bunch of geniuses at the height of their powers all converge on one single perfect project.
"For me, the sun rises and sets with her, man."
"Yeah?"
"Yeah."
"OK."
I’m sorry
if the goddamn
chicken
got
over
cooked
al pacino yelling "because she's got a GREAT ASS" is something that can actually be so personal
This review may contain spoilers. I can handle the truth.
for the first couple times i saw this film back in 2015, i considered natalie portman's character of lauren to be fairly superfluous, a melodramatic deviation in this epic story of male egos.
i don't think that anymore, because my little sister died tonight, doing the same exact thing that portman's character did.
for the last year or so i couldn't help but see my sister in this lauren character. when we see her in the film, she's panicking over seemingly minor things like being late to seeing her dad or the color of her barrettes. but i understood at that point that she was a deeply unstable child, the same way as my sister. that kind of sudden onset…
Pacino_SHE_GOT_A_GREAT_ASS_.mp3
robert de niro i too am a lonely graphic designer who would very much like to be whisked off for an all expenses paid getaway to new zealand
I liked the parts where they would say the word "heat" because I was like, "Hey, that's what the movie is called!"
This review may contain spoilers. I can handle the truth.
neil to vincent: "...to die by your side is such a heavenly way to die."
"You can ball my wife but you can't watch my television" is the best line ever written and I pray to God I get to use it one day!
this is my favorite rom com
