Delicate and sincere, with exceptionally fine work in the production design, cinematography, and even the bilingual subtitle presentation.

细腻真挚，美术摄影甚至双语字幕的设置都做得格外好。

The cinematography and score are superb—epic and sweeping—yet the story remains hopelessly clichéd.

摄影与配乐极佳，大气磅礴，故事还是很烂俗的。

When Sean Baker's boisterous brand of women's stories is transplanted into a Chinese-language context, it becomes pure "Taiwanese primetime soap." It gestures toward caring for women but remains superficial, peppered with trite, pseudo-inspirational quips that fail to address the heart of their struggles. The seemingly forced happy ending carries no real lightness—instead, it feels absurd and faintly amusing. 

当肖恩·贝克式的喧哗女性叙事移植进华语语境，它便成了一场真正的狗血“台湾八点档”。对女性的关怀看似仍在，却流于浮光掠影，穿插着若干陈腐如鸡汤金句的台词，并未能真正触及女性困境的内核。最终“包饺子”的结局并不轻盈，反而显出一丝荒诞的可笑。

充斥着屎尿屁的笑话，对封神的改编也意料之中，也就是俗套，不过比隔壁《封神第二部》好看多了。卖腐卖到极致，但不违和，可以磕CP。整个电影帅气男人的脸画得都是差不多，也是敷衍。