Establishing shots.
I love it when I see a filmmaker put obvious thought & care into their establishing shots. The true literal liminal spaces of a movie, you're not meant to linger there, you're not meant really to notice them, the utilitarian drywall mud that holds the walls to each other at what are hopefully sane & uncomplicated angles but arcane inscriptions still have distorting power even with a coat of primer atop them. I've had a vague back-of-my-mind interest in horror…
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