This movie is white-pilled and black-pilled at the same time.
This movie is white-pilled and black-pilled at the same time.
For a long time I always thought the scene with the sniper happened with Tom Hanks saying "Look out for snipers" and Vin Desiel saying "Like that one?" before getting shot and falling on the piano. I found it funny af but it turns out thats not how it happened.
Must of been the Mandildo effect,
Lucasfilm is now capable of one story and one story alone:
*Old protagonist is now elderly depressed shadow of his former self.
*Sassy, ultra-competent in everything brunette played by some British actress is real protagonist, outshines the old one in everything.
*The villain is either an allegory for the Nazis or just a Nazi. Either way it's just some guy doing his impression of Hans Landa.
*Old guy either dies or is almost killed, sassy brunette saves or avenges him,…
This documentary goes from being very surface level to so intimate that it feels intrusive. It very rarely goes into much details about Nirvana as a band and mostly just sticks with Cobain's image as a reluctant rockstar.
Sometime it feels very over edited (There's about 3 montages to "Lithium" by itself.) but there also some very well made, pretty moments such as the animated scenes.
The footage of the Cobains at home felt very personal, and the films at…