Synopsis
A world-famous pianist loses both hands in an accident. When new hands are grafted on, he is horrified to learn they once belonged to a murderer.
A world-famous pianist loses both hands in an accident. When new hands are grafted on, he is horrified to learn they once belonged to a murderer.
Die unheimlichen Hände des Doktor Orlac, Orlacs händer, Las manos de Orlac, Les mains d'Orlac, Le mani dell'altro, Τα χέρια του Όρλακ, Orlac'ın Elleri, As Mãos de Orlac, 올락의 손, 奥拉克之手, Orlakovy ruce, Ręce Orlaka, 奧拉克之手, Orlaka rokas
Obsessed with the extended cinematic universe of Conrad Veidt just having the worst time ever
Very early body horror from director Robert Wiene. The Hands of Orlac is the first film adaptation of Maurice Renard's novel (others include Mad Love starring Peter Lorre) The Hands of Orlac focuses on a pianist who receives a new pair of hands after losing his own in a train crash. Only problem is that the new hands once belonged to a murderer! Just what does rule the body - the head or the hands? This film succeeds mainly thanks to its atmosphere, which is oppressive and severely off kilter. Conrad Veidt gives a masterclass in facial expressions while the soundtrack really sets the tone - meandering between melancholy, mysterious and outright nightmare. The story twists and turns and often…
Conrad Veidt plays Orlac - a renowned pianist who loses his hands in an accident and becomes increasingly convinced his grafted ones are
murderous/corrupt. Veidt is the perfect silent screen actor. He uses his entire body to express his emotions. Just as his sinuous body portrayed the angular, jerky somnambulist Cesare so effectively in The Cabinet of Dr Caligari, Veidt uses his hands - distorting fingers, straining veins, flexing muscles to convey his character's dissociation, his horror of his new appendages. These hands are vital. Right from the opening shot it is made clear how important his hands are not only to his career but to his marriage. Mrs Orlac is like a drug addict - she's fetishized her husband's…
the epic question: how much evil is insight of a man? Orloc gets the hands of a murderer transplanted and is now in constant fear (the eyeliner on Veidt goes hard), doesn't even want to touch his loved one anymore cause he's afraid of killing her (facing his subconscious desires). the killing of his father is the logical outcome, just ask Freud.
the film dissipates in a fuzzy denouement but the pegs are long set at this point: you can never be sure what's insight you - insight us - and what's needed to unleash this part.
I watched this high, in the bath, and pitch black w one candle flickering, so YES I was terrified!
would love to see a reversal of this trope, ie a homicidal maniac gets a hand transplant from a famous musician and finds his murderous lifestyle massively inconvenienced by a sudden compulsion to play the oboe.
Film 11/32
1 Robert Wiene film
Well, hi there.
I have to be really honest right now. Over the time on this app I learnt that I appreciated silent films more than I actually liked them so I was a bit nervous going into this and while it's too long for my liking I thought it was pretty solid.
Due to an accident pianist Paul Orlac loses his hands. Fortunately, Dr. Serral has leftover hands to replace Orlac's hands. Unfortunately, they belong to a convicted murderer. And they want to kill!!!!!
This is such a wild concept for the 1920s and I thought it was executed very well. Conrad Veidt constantly looks scared or shocked, very melodramatic, very entertaining. Of…
Hooptober 11: From Texas with love 💘
♩♫ You need hands… ♪ ♬
A famous concert pianist is involved in a train disaster and comes away alive, but without the tools of his trade.
Back in the 1920s, successful transplants were somewhat of a minor miracle, so when our man’s bloody stumps bond with his new digits, the future looks promising. Only trouble is, these new hands have a criminal history from a very bad man indeed.
Soon enough the inevitable happens and the hands begin to take control, directing the actions of this previously decent young man in ways he didn’t imagine were possible.
There have been a few versions of Robert Wiene’s wild imagining over the years, with…
These are the hands of a killer, Bella
Of course not even Robert Wiene himself could top the masterful work he presented in The Cabinet of Dr. Caligari four years earlier, but never the less, Orlac's Hands is an early example of a well done psychological horror which only now I realise turned a century old this year!
Even if the first half seems to go on for too long with not a lot happening (or maybe it's because I watched this at 7:00 am) once the movie stars playing with Orlac's mind making us wonder DID HE ACTUALLY KILLED HIS FATHER?!? DID THE HANDS DID IT?!? WHO THE FUCK DID IT?!? is when the real good stuff starts and…