Synopsis
H.G. Wells Races Through Time To Catch Jack The Ripper!
Writer H. G. Wells pursues Jack the Ripper to modern day San Francisco after the infamous serial killer steals his time machine to escape the 19th century.
Directed by Nicholas Meyer
Writer H. G. Wells pursues Jack the Ripper to modern day San Francisco after the infamous serial killer steals his time machine to escape the 19th century.
Um Século em 43 Minutos, Путешествие в машине времени, Эпоха за эпохой, L'uomo venuto dall'impossibile, Flucht in die Zukunft, C'était demain, Los pasajeros del tiempo, זה קרה מחר, Čas po čase, Időről időre, Подорож машиною часу, 미래의 추적자, Отново и отново, Podróż w czasie, Kapløb med tiden, 两世奇人, Mașina timpului, Escape al futuro, 兩世奇人
So, what did we learn today? That Back to the Future III wasn’t Mary first rodeo into the whole time travelling shenanigans.
But yeah, this was a nice little movie with some neat ideas that are for the most part, well executed and exploited. We basically have many of the tropes of the subgenre but this time, the traveler in question is HG Wells himself (nicely played by Malcolm McDowell), and he must stop none other than Jack the Ripper, who uses Wells time-traveling machine he has on his basement (as you do) and goes on the loose in 1979 San Francisco, continuing his reign of terror, though I guess now he justifies himself by using WWII and Jimmi Hendrix…
High concept time travel adventure, focusing on HG Wells as he pursues Jack the Ripper to modern times. There's no real attempt to make the time travel aspect make any sense - early on in the film, the time machine manages to make a jump in time and cross continents aswell as the action relocates from London to San Francisco for reasons that don't really make any sense. The sci-fi element to this isn't too important - it's all about the concept and the characters really. The film does the whole 'fish out of water' thing as our hero finds himself in 1979, marvelling at all the modern technology and not understanding things etc. It's all rather quaint but moderately…
Time After Time is like comfort food that I haven’t had in a very long time. Back in the early days, when I first crossed the threshold to my twenties, I’d consume it like McDonald’s; not particularly nutritious but tasty, filling, and easy to get a hold of.
This re-watch was a double-delight, as I had recently watched The Time Machine, which acts as one of two direct sources of inspiration for this time travelling tale, the other being the equally Victorian non-fictional mystery of Jack the Ripper. First time director Nicholas Meyer must have been enamored by the period, as just previous to the film he had penned the Sherlock Holms pastiche The Seven Per-Cent Solution.
The gist is,…
One of two movies directed by Nicholas Myer that involve present day San Fransisco being a place of bemused wonder for time travelers. Loved Malcolm McDowell in this movie playing against type as a shy, kind, and lovable H.G. Wells. RIP David Warner.
My name is H.G. Wells. I came here in a time machine of my own construction. I am pursuing Jack the Ripper, who escaped into the future in my machine.
We live in a cosmic charnel house. Mankind has not changed in years. We hunt, we're hunted. That's how it is. How it will always be.
Violence is contagious. Like measles.
We don't belong here? On the contrary, Herbert. I belong here completely and utterly. I'm home.
Maybe it's that "little boy lost" quality you give off.
Every age is the same. It's only love that makes any of them bearable.
I love you.
On of my all time favorite films. I don't have the words, but I don't need them, Nicholas Meyer's script has more than enough for the both of us, and for career highlight performances from McDowell, Warner, and Steenburgen.
help! i gave jack the ripper a time machine and he’s been going on a k!lling spree.. but i want to get cracked!!! do i stop the killer?? or get cracked??
Looking for the perfect crowd pleasing film laced with action, adventure, romance, suspense, and comedy with originality to boot? Look no further than Time After Time.
Time After Time has one of the most insanely original plots to hit the cinemas since or before it came out: Famous author of War of the Worlds and the Time Machine, H.G. Wells (Malcolm McDowell), invents a time machine in 1893. Unfortunately, that machine falls into the deadly hands of Jack the Ripper (David Warner) who uses it to travel to 1979. Now, H.G. Wells has to pursue The Ripper and stop him from starting another killing spree in a whole new decade!
This film is by no means perfect. There are many…
Deserving of Unsung Classic status, primarily due to the fact that it actually lives up to its giddily creative historical fantasy premise. High stakes! Sweeping romance! Delightful effects! Incendiary wit! Pure imagination! It will make you feel like you’re seven years old.
What is framed as a sci-fi time travel adventure turns out to be more of a fish-out-of-water romcom after the initial plot setup, and then transitions into a killer-on-the-loose thriller for the final act. A very fun and charming romp, albeit rife with plot holes and logical fallacies standard for a plays-by-its-own-rules time travel flick. The pacing kind of bogged things down for me, but the overall concept was interesting and the ending was just adorable. Plus, it lends credence to the theory that Mary Steenburgen actually is a time traveler, because she’s aged like a fucking goddess.
I never saw wood like this before.
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Why aren't there a dozen of these every year? The plot doesn't even matter; the characters can be chosen at random. Catherine the Great visits Soviet Russia. Shakespeare romances his way through the beatnik era. Oscar Wilde saves Harvey Milk. Burroughs shoots the Marquis de Sade instead of his wife. Simón Bolívar goes after the cartels all Sicario and shit. Eleonora Duse hunts down and brutally murders Jennifer Lawrence.
It's so goddamn easy.
We have failed as a culture.
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Across every cinematic universe, Mary Steenburgen is drenched for H.G. Wells.
The time travel rules and mechanisms don't make a lot of sense, and, for that matter, neither does embedding a rom-com inside a fast-paced serial killer thriller, but hey, if you just roll with it I promise this is a very fun time.
Malcolm McDowell is very good as H.G. Wells; David Warner may even be better as Jack the Ripper, radiating real menace even when clad in a swank turtle-neck and blue jean vest ensemble. Even so, what really makes this work is Mary Steenburgen as Wells' love interest Amy. If the audience doesn't care about her, the movie falls apart. But she's so absurdly magnetic here I dare you to resist her charms.
“Ninety years ago, I was a freak. Now, I’m an amateur.”
Sometimes a film can have a good premise, an interesting setting, and a mostly good cast and still be a tad inert. Time after Time is fairly entertaining but could have been better. Having H. G. Wells (Malcolm McDowell) pursue Jack the Ripper (David Warner) from 1893 London to 1979 San Francisco sounds intriguing, and writer-director Nicholas Meyer contrasts the two eras well but constantly interrupts the flow of the narrative for an obligatory romantic subplot between Wells and bank clerk Amy Robbins (Mary Steenburgen). Wells tells his London friends at the beginning of the film that a socialist utopia will come about in three generations, so imagine his…