Synopsis
The fight was against the raiders... but the feud was between themselves!
A wagon master and a con-man preacher help freed slaves dogged by cheap-labor agents out West.
Directed by Sidney Poitier
A wagon master and a con-man preacher help freed slaves dogged by cheap-labor agents out West.
Sidney Poitier Harry Belafonte Ruby Dee Cameron Mitchell Denny Miller Nita Talbot John Kelly Tony Brubaker Bobby Johnson James McEachin Clarence Muse Lynn Hamilton Doug Johnson Errol John Kenneth Menard Pamela Jones Drake Walker Dennis Hines Fred Waugh Bill Shannon Phil Adams Walter Scott John Howard Shirleena Manchur La Markova Hannelore Richter Valerie Heckman Stephanie Lower Enrique Lucero Show All…
Buck und der Prediger, De fordømtes vej, Non predicare... spara!, Der Weg der Verdammten, Buck et son complice, Buck y el farsante, Buck és a prédikátor, Um por Deus, Outro pelo Diabo, Buck a kazatel, Бък и проповедника, Buck i el predicador, Kızgın ve Sakin, Бак и Проповедник, Czarny kowboj, Odio en las praderas, 布克与传教士, 벅 앤드 더 프리처, ブラック ライダー, Buck og prædikanten, 布克與傳教士
Revisionist is a word that often has a negative connotation, though any historian will tell you that revision is an extremely important part of researching and recording history correctly. Every historian has their biases (seeing as we do in fact live in a society) and historians of the past have intentionally or unintentionally left out the stories of marginalized groups in order to focus on the dominant narrative, typically the narrative of European history or history involving white men. Part of the job of historians is correcting the record and revising history to include the stories and histories of those who were ignored by historians of the past.
Revisionist Westerns are the perfect name for the selection of Westerns that…
this Poitier/Belafonte Western, situated in the Reconstruction, is one of my favorites. it's aged great and don't understand why it is so unjustifiably obscure.
Sidney Poitier as DIRECTOR? Damn right. He utilizes a mix of John Ford long shots and Sergio Leone crash zooms if you ask me. All of this to say that this is a really fun western where Poitier gets to show some people of color in this genre, let alone any film in Hollywood at the time! I am so surprised at how much I enjoyed Harry Belafonte in this movie. I’d never seen him in anything and he was surprisingly very entertaining to watch as his preacher character gets involved in Buck’s troubles. Buck and the Preacher are the black Butch Cassidy and the Sundance Kid. It’s a lot of fun to see Poitier and Belafonte play off of…
Fuck BUTCH AND SUNDANCE. It doesn't have Sidney Poitier wielding two sawed-off shotguns.
BUCK AND THE PREACHER rules.
Rock solid western elevated by a great score and an incredible wild card performance from Harry Belafonte, who I don't think I've ever seen act in anything before (except his cameo in Black Klansman). Sheer big screen pleasure, they kill Cameron Mitchell like two thirds of the way through and you don't even really miss him, remarkable.
fuck the canon, make Buck and the Preacher the new Butch and Sundance - it's a better buddy movie, a better western and Ruby Dee provides the emotional core. Plus, I'll take any excuse to never listen to Raindrops Keep Falling On My Head again tbh.
From the mind that brought you GHOST DAD, comes this post-Civil War tale of safely leading the newly emancipated slaves toward the promised land and Harry Belafonte playing a cracked-out fake reverend.
And yet, the easier lineage to draw here is to STIR CRAZY. Yes, really. For when the dust blows over BUCK AND THE PREACHER settles into something of a double act situation, with ever-graceful Poitier taking on the mantle of straight man.
Despite the historical resonance and lived-in aesthetic, there’s an easy-going, highly watchable finesse that Poitier imbues for his first turn behind the camera. For every Civil Rights parallel there’s a rambunctious bank break-in and a handful of Leone-esque mean-mug zoom ins.
A spritely brothel raid to account for every grim casket pile-up. And it works! Just don't ask me to explain how.
Well, I'm here, ain't I? And they's dead, ain't they?
This is so underrated. Sidney Poitier, Ruby Dee, and Harry Belafonte are all great, and Cameron Mitchell is deliciously grotesque as the lead raider. The soundtrack, composed by Benny Carter, is another highlight. I want to watch more Harry Belafonte films! He was hilarious as the roving preacher. In the brothel scene, Belafonte’s hysterics seemed like a huge influence on Arsenio Hall’s iconic Reverend Brown role in Coming to America.
few things on this Earth go harder than Sidney Poitier dual wielding double barrel sawed-off shotguns
In Memoriam: Harry Belafonte
It’s such a treat to get to see Mr. Belafonte and Sidney Poitier share the screen. Friends since they met at The American Negro Theatre at the age of 20, they took wildly different career paths to arrive at Buck and the Preacher some 25 years later.
For Poitier, his directorial debut must have represented a huge step toward greater personal expression and truer racial representation. No longer is he the one black guy in a white person’s movie, tasked with being the sole representative of his race for white audiences. And it shows; there’s just a looseness to his performance here that you don’t see much of in the films he made in the 60’s. …