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Robert Bresson

So many buzzwords to describe his work: 

Simple. Difficult. Affectless. Passionate. Spiritual. Secular. Coldly intellectual. Purifying. Uncompromising. His style both transcendent and malevolent. 

Outside diehard cinephile fandom, no one really knows about Bresson. Scorsese says, “We’re still coming to terms with Robert Bresson and the peculiar power and beauty of his films.” He’s right. Much to unravel about France’s finest spiritual filmmaker. 

Bresson interests me for several reasons: His intrinsic Catholic thought and hunt for cinematic divinity. The fact that he later became an ardent agnostic, does not believe, yet still respects belief and hope. The radical tonal shifts in his films post-1950s, where his religious sensibilities became more and more existential, dark, and pessimistic. His painterly eye and use of…

  • Au Hasard Balthazar

    1

  • L'Argent

    2

  • Mouchette

    3

  • A Man Escaped

    4

  • Pickpocket

    5

  • Diary of a Country Priest

    6

  • The Devil, Probably

    7

  • Les Dames du bois de Boulogne

    8

  • A Gentle Woman

    9

  • Four Nights of a Dreamer

    10

  • The Trial of Joan of Arc

    11

  • Angels of Sin

    12

  • Lancelot of the Lake

    13