Synopsis
Hell will hold no surprises for them...
A charismatic 17th-century French priest becomes the target of a sexually obsessed nun’s witchcraft accusations, which corrupt church and state officials are all too happy to exploit.
Directed by Ken Russell
A charismatic 17th-century French priest becomes the target of a sexually obsessed nun’s witchcraft accusations, which corrupt church and state officials are all too happy to exploit.
Ken Russell's Film of The Devils, Οι Δαιμονισμένες, I Diavoli, Les Diables, Djevlene, I diavoli, Die Teufel, Los demonios, Ördögök, Os Demônios, Os Diabos, 악령들, Ďáblové, 卢丹的恶魔, Дьяволы, Şeytanlar, Djävlarna, Diabły, Дияволи, 盧丹的惡魔, 肉体の悪魔, Diavolii
Father Urbain Grandier??? nah what a jerk what a— [trips] [hundreds of thousands of photos of Father Grandier spill out of jacket] w-what a fuckign asshole i these arent mine im just [gathering them up frantically sweating] listen i just listen fuck [thousands of pictures of Father Grandier scatter across the floor] shit fcuk im holding them for a friend just LISTEN
This review may contain spoilers. I can handle the truth.
so movie money sure isn't as brave as it used to be, huh?
good god. this was put out (or not) by WARNER BROS! how timid and small-minded our commercial art has become.
such gloriously righteous indignation, and Jarman's neo-futurist design still gives the madness a divine scale. any movie that ends with someone furiously masturbating as an expression of their own eternal misery is fine by me. perfect halloween viewing.
Rest In Peace Urbain Grandier. You would’ve loved MDMA and anal beads and silicone lube and ketamine orgies and toe rings and rubberdolls and fucking machines and fetish parties and poppers and fleshlights and fake tits and
One of THE most excruciatingly difficult cinematic experiences out there. It probably wasn't beneficial for my mental health to watch this and Under the Skin in the same evening. I hated Vanessa Redgrave's character so much that I might honestly hate Vanessa Redgrave now, haha. Kidding, kidding, but wow, what a deplorable human being Sister Jeanne was (albeit a product of her environment). Then again, what character in this film wasn't a deplorable human being and an abuser of their faith - aside from maybe Urbain Grandier during the latter half of the film (as well as his wife, though her role was relatively minimal)? I've always thought it to be true that, while religion isn't an inherently bad creation,…
Finally restored to its intended majesty and as thrilling, scary, funny, and holy as ever.
Seen as part of Cannes Cinema Classics with a room full of converts.
Given any chance to do so, and any means, we shall make a hell of our own earth, with our own lives, our own bodies and the bodies of others. We are the devils. All dogma contains within it necessarily its own blasphemy, all orthodoxy contains its heresies. A union of church and state produces something that is neither, but far greater in both appetite and execution than either. A thirst so powerfully strong, it gave more than it could give, the air turned to ash, the streets choked with bodies, bodies themselves run through with pestilence, riven with war and torture, a chalice of deprivation overflowing, and yet this is never enough. More and more fall so that more…
Watched the uncut version tonight. As a dyke/fag/pervert/witch who grew up Catholic, this is obviously my shit. I felt multiple generations of ancestors spinning in their graves while I watched this cackling like a demonic whore. Oliver Reed is pure sex meat and at one point throws an alligator at a man accusing of him of fucking his daughter. Vanessa Redgrave capturing what my current period of celibacy looks and feels like (had a dream last night that I was having sex with a raptor in Jurassic Park btw). The real underrated performance in this is Michael Gothard as Father Pierre Barre. Unhinged. The art direction is immaculate, the cinematography is gorgeous, and the crotches are unshaven. The way this movie effortlessly shifts from horny to hilarious to brutal to romantic to spiritual to terrifying is aspirational. I hope I can one day make something this blasphemous and this much of a tonal pogo stick.
90
Unrivaled debauchery. Depicts Church and State as two extremes, the happy medium only uncovered when any disconnect from either is attempted. That a priest is portrayed as a drunken playboy billionaire only to lose his influence over the prospect of sexual freedom for all via a band of nuns who desire him is precedent - who would've thought the State interferes when people find commonality in being free? Ken Russell's profane sense of crowd-control and sustained chaos is simply stupendous, with the towering architecture and delectable costuming being set-dressing for the outrageous. A film of figures and symbols perverted and unleashed from their sole design.