Synopsis
The Dead Shall Inherit the Earth.
The living dead have taken over the world, and the remaining humans live in a walled city to protect themselves as they cope with the situation.
Directed by George A. Romero
The living dead have taken over the world, and the remaining humans live in a walled city to protect themselves as they cope with the situation.
Dead Reckoning, Twilight of the Dead, George A. Romero's - Land of the Dead, 活死人地带, 活尸禁区, La Tierra de los Muertos Vivientes, Tierra de los muertos, Kuolleiden valtakunta, I gi ton zontanon nekron, Zemlja živih mrtvaca, Dezela zivih mrtvecev, Land Of The Dead - UR, Land of the dead (le territoire des morts), Le Territoire des morts, Land of the Dead : Le Territoire des morts, La terra dei morti viventi, Ölüler Ülkesi, Terra dos Mortos, Krajina mrtvych, ארץ המתים, Земля мертвых, La tierra de los muertos vivientes, Holtak földje, 活死人之地, Ziemia Żywych Trupów, Země mrtvých, Tărâmul morții, La terre des morts, Земля мертвих, Земята на мъртвите, 活屍禁區, 랜드 오브 데드, ดินแดนแห่งความตาย, ランド・オブ・ザ・デッド, Η Γη των Ζωντανών Νεκρών, Mirusiųjų žemė
Rotten Tomatoes: 75%
Metacritic Metascore: 71
IMDB: 6.2
67/100
Kaufman: "In a world where the dead are returning to life, the word 'trouble' loses much of its meaning."
George Romero returns to his undead playground after two decades, and the result is ambitious but messy. His social commentary's sharper than ever—maybe too sharp for its own good—but the horror takes a backseat to the message, which kinda defeats the purpose.
Simon Baker makes a solid lead as Riley, the mercenary with a conscience, and Dennis Hopper lights up his scenes as the corrupt Kaufman in the best possible way. John Leguizamo brings some fire to Cholo, though his character arc feels rushed. Asia Argento's Slack is introduced, fighting…
Hooptober 4.0 - 2017 - Film #30
Stalin, Eisenstein and Romero are seated in a drawing room on plush leather armchairs. They are enjoying cognac around the hearth of an open fire. They make small talk about the hoof and mouth disease epidemic in California, the Olympics in Paris and how absurd and profound Dada truly is.
Stalin narrows the conversation down to business, "Mr. Romero, I am very pleased to have you join our film program. It is my belief that film will play an integral role in celebrating the sacrifices and successes of the proletarian revolution. It will also continue to be an important instrument in the education of the people, to guide them on the path towards…
Holds up very well... kinda seems to get better and more relevant every time I watch it too. Contains many Romero-isms utilized well, but I only wish Big Daddy was actually Bub but I guess beggars can't be choosers. Interesting foreshadowing of occupy movements as well as Dennis Hopper as power drunk rich blowhard idiot obsessed with his tower of shit.
This is a lot better than the Dawn of the Dead remake that came out right around the same time but it’s a lot worse than, like, going on a roller coaster. Not my fairest review, I can admit that.
Can't say I loved how Romero late style + aughts sheen + (occasional) CG splatter all interacted with each other and gave this an uncanny visual flatness I associate more with Robert Rodriguez or a SyFy movie; televisual accusations not really helped by the fact that the lead of this is The Mentalist himself dripped out in H&M mannequin costumes. But on the other hand it is undeniably fun to see the last gasp of Romero being given legit studio resources to do something like this, and there's enough of pure him in here to forgive the flaws. The blatant and ridiculous Bush era satire for example is more endearingly dated (Dennis Hopper's "we don't negotiate with terrorists" still hits),…
Apart from it being a bit overindulgent with the CGI this is really a great continuation of Romero's Dead series. It has great make-up effects, tense action scenes and fun cameos (Michelle pointed them all out to me). Plus it kind of plays out as commentary on having society divided by class.
A very entertaining movie and a fun watch party.
Like the Star Wars franchise, the legendary original trilogy of the Living Dead was followed up many years later by the same creative talents that gave it birth. However you feel about Star Wars’ return with Episodes I thru III, it’s pretty much unanimous that Romero’s second trilogy of the dead is a step down. None of them are bad films but the second trilogy pales by comparison.
Land of The Dead is the first and by far the best of the 2000s trilogy. Years have passed in Romero’s dead world, zombies now have leaders, can use tools and communicate between one another. The living are hunkered down in a heavily fortified peninsula ruled by Dennis Hopper. There’s an upstairs/downstairs…
Unbelievable that there was still so much to get out of this subgenre. Still, that went way too far for me. Thinking, tactical zombies. The "undead" can also shoot, defend themselves, act strategically and walk under water.. That wasn't for me.
The fourth entry in George Romero's epic "Dead" series is a familiar mix of social commentary and gory zombie mayhem. This one takes place some time after Day of the Dead in a world where order has started to emerge from chaos. The rich live in a luxury apartment, surrounding slums with the zombie threat ever present outside of the city. The social commentary is more overt than ever, with the whole theme of the film being a barely disguised metaphor for how the rich take advantage of the poor. The post apocalyptic setting is really well done. The whole scene is very well realised and quite realistic - this is probably how things would turn out if there was…
"They're pretending to be alive ..."
"Isn't that what we're doing? Pretending to be alive?"
Years after the Zombie Apocalypse began, civilisation in the United States has broken down, except for a series of protected city-states. One such refuge is ruled by Paul Kaufman (Dennis Hopper) and its citizens are strictly divided, with the rich living in luxury, and everyone else in poverty. When Kaufman's heavily armed supply truck is stolen, he employs its builder, Riley Denbo (Simon Baker) to retrieve it. Meanwhile, some zombies begin to show signs of intelligence ...
I watched the Director's Cut
Land of the Dead (also known as George A. Romero's Land of the Dead) is a post-apocalyptic horror film written and directed by…
"they're pretending to be alive..."
"isn't that what we're doing? pretending to be alive?"
doesn't quite reach the heights of its predecessors, the formula of this film felt a little too much like a generic action flick with the larger focus on set pieces and how the pacing moves, sacrificing a lot of the raw tension that made the earlier films so special. the commentary on class divide + consumerism, although meaningful, lacks the cleverness that the other films earned through subtlety and the simplicity of their settings. it still has romero's magic touch, though!!! big daddy is the best character, it's fascinating how the zombies evolved and sought to abolish kaufman's empire woooo!!! like cmon the world is dying and you still find the pieces to create a society that exploits its people gtfo!!!