Synopsis
Love means never having to say you're ugly.
After a team of surgeons botches his beloved wife's operation, the distraught Dr. Phibes unleashes a score of Old-Testament atrocities on his enemies.
Directed by Robert Fuest
After a team of surgeons botches his beloved wife's operation, the distraught Dr. Phibes unleashes a score of Old-Testament atrocities on his enemies.
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This review may contain spoilers. I can handle the truth.
various ways vincent price kills people in this: catapulting a brass unicorn head into a man's gut, unleashing rats on a man flying a plane, decapitation via giant frog mask, dripping brussels sprout goo on someone's face so that locusts will eat it off. absolutely insane movie
Phibes Vibes.
Art Deco gothique that feels like inspiration for the Saw series, Phibes is loaded with gorgeous cinematography, succulent camera movement, sadistic methods of torture, a devious sense of humor, Joseph Cotton, and and one hell of an amazing reveal for Phibes towards the end. There’s so much to love here, and every time I revisit this it looks better than the last—Phibes is a beautiful stylish triumph of the macabre and one of my favorite Vincent Price roles.
A perfect October treat.
Vulnavia.
A vengeful mute serial killer organist. A litany of absolutely insane torture traps and murder scenarios. An obsession with (an edited version of) the Old Testament. Colorful gothic fever dream flair oozing out of the fucking walls.
A Saw movie in the style of Batman ‘66. Perfection. God bless you, Vincent Price.
Watch: THE INFERION CHANNEL
This isn't a movie. This is more like a visual album. Each murder is a track, "Bats", "Locusts", and so on, the Ten Plagues of Egypt, re-imagined in the style of a murderous Batman or Avengers TV episode. Vincent Price leads his mechanical band on the organ. The end credits might clue you in on who to root for and who is just part of the ensemble, organized into "Interested Parties", "The Law", "The Victims", "The Girl" (the wonderfully enigmatic and quite helpful murder assistant and violinist Victoria North), and "The Protagonists": consisting of Vincent Price as the abominable Dr. Phibes himself, and Joseph Cotton as Dr. Vesavius, the man he most wants dead. Dueling Doctors. Organs vs. Organist. Performance art. Play Somewhere Over the Rainbow when they bury me, for I'm going to see my beloved again.
From a brass unicorn to a mechanical frog mask, Dr. Phibes is a deviceful antihero. His kills are so creative and unique Wile E. Coyote should be taking notes. I know Jigsaw did.
On 35mm at The New Beverly.
I’d like to know when and how many times David Fincher has seen this wonderful film about murder.
Watched three movies tonight and this was the last. Dr. Phibes you absolute madman.
A high quality Vincent Price Amicus proto slasher. The Abominable Dr. Phibes shares similarities with Theatre of Blood, but this is the superior movie in my opinion. I loved the (British) cheekiness, the extremely creative kills (death by locust, death by brass unicorn 🦄), the elaborate sets, and of course Price and his theatrical antics. This was obviously highly influential on a lot of horror movies in the coming decades.
I had a blast watching this with Michelle.
A delightful mix of revenge, Gothic stylings and an absolutely abominable level of high camp, The Abominable Dr Phibes is the Vincent Price movie to top them all! It's House of Wax meets Phantom of the Opera for the plot which focuses on an assumed dead organist/theology scholar who vows revenge on the doctors whom he believes killed his wife. He bases his killings on the ten deadly plagues of Egypt - making the film an obvious precurser to the likes of Se7en. The film really revels in the sheer absurdity of its premise. It takes full licence to get creative with the interpretation of the plagues - with the deaths featuring the likes of a mechanical frog mask and…
Love means never having to say you’re ugly
Ive been interested in this film ever since Kumail gave a great pitch for it in The Big Sick, but I must say I was slightly let down. It has its moments, but it was a bit slow. Price is best when he can be playful, and he was all too serious in this. I wish they let him actually speak in this, as his voice is a massive asset.
All that being said, there are many exciting sequences, and it reminded me a lot of Se7en the way a killer is killing people based on a biblical sequence. And the sets are fantastic! I loved the room where he plays the organ. There’s a high floor for how bad a Vincent Price movie can be.
Sixty in September: 13/60
I love all the things Phibes leaves mysterious and unexplained. Vulnavia, "The Girl," never speaks. We never learn where exactly she comes from, or who she is, or how she comes to know Phibes. The poster has them romantically embracing, and yet the film hints at nothing. But she bears a striking resemblance to his deceased wife. Magnetic thought commands. The way she plays her white violin to accompany murders. I love when mysteries are allowed to hang freely like this.
She reminds me so much of Morpho in Jess Franco's Vampyros Lesbos, a similarly mute and stylish henchman, with the subtlest implication of romance with the protagonist. The whole opening sequence had a Franco feel.…