The mind is its own place, and in itself can make a Heav'n of Thel, a Thel of Heav'n
Is this testing whether I'm a replicant or a lesbian, Mr. Deckard?
In its odyssey of oppression, Blade Runner wisely eschews straightforward allegory for its subjugated machines, instead liberally drawing from the aesthetics of a litany of modes of marginalization. The replicant’s roles as colonial slaves, subjected to rigorously enforced apartheid evokes familiar racial hierarchization, especially against the contemporaneous backdrop of apartheid-era South Africa. The clinical, bureaucratic genocide, built upon rooting out the concealed Other, calls to mind Mccarthyism, or…