Synopsis
A bored young man meets with his former girlfriend, now a cabaret dancer and single mother, and soon finds himself falling back in love with her.
Directed by Jacques Demy
A bored young man meets with his former girlfriend, now a cabaret dancer and single mother, and soon finds himself falling back in love with her.
Donna di vita, 롤라, 萝拉, Lola, das Mädchen aus dem Hafen, Lola - Donna di vita, Лола, Λόλα, Лолa, 蘿拉, Lola, a Flor Proibida, ローラ
Cool to see that from his very first feature, Demy had a perfectly-calibrated sense of how to overlap the cosmic romanticism of movies with real regret and heartbreak.
I'm having a difficult time organizing my thoughts on this wonderful movie, so I'll break them down into chunks:
• Lola abounds with melodramatic coincidence and parallel plotting, yet never left me feeling cheated. I suppose that's partly because these coincidences never result in anything too drastic. Within a tight narrative mesh, Demy's characters cross paths, have short conversations, and plan to leave Nantes. Sometimes they fall in love, but that's of little consequence.
• Demy is a master of blocking and composition. On occasion a shot's construction would take my breath away, only to evolve into something new and equally wonderful after a graceful pan across a room. Raoul Coutard's stark black and white gives Lola a sheen of…
lola should not have to settle for these boring men when daisy is literally right there!!!
It's easy to fall for someone thinking they will love you back if you court them enough, if you pursue them enough, if you love them enough. But love isn't something to be won and it isn't something just for you; rather, that person you love likely loves somebody too, and it's not very likely that person is you.
But sometimes just wanting something is enough to give you purpose, and it's not receiving that which you want but the act of wanting that brings happiness. In that sense, is an unrequited affection so bad? Sometimes it's what we can't have that lingers with us most.
"I wanted nothing until I saw you again. But now... You're right. It's great to be alive."
beethoven's 7th symphony second movement never fails to send me spiralling into a nice big existential crisis so thanks for that demy but yeah of COURSE his debut film is this good what a beautiful genius!!!!!!!
anouk aimée is so effortlessly cool in this film like way too cool! I love her outfits, her smile, everything… and yeah i’d fall for her too. The black and white cinematography is gorgeous and it gives the whole film this dreamy feel, even when the story itself is kinda sad. I love stories about missed chances so much there’s something really moving about characters who love deeply but can’t quite say it or say it too late
everyone in this film is in love with lola because she’s like the most stunning dancer and honestly, who can blame them? She seems almost untouchable, but you still get the sense that she’s just as lost as everyone else. Anyway i really loved it! thank you so much for recommending this film to me catherine <3
During the span of ninety minutes, I have fallen in love with Anouk Aimee several times over. 💋 Demy gives us a beautifully shot black-and-white for his debut film, making it known early on that he was going to be one of the best. Lola is not only charming, graceful, amusing, and pensive – qualities which I find myself looking for whenever I watch a film nowadays – but it is also whimsical fun.
My heart aches for Roland Cassard as much as it cheers for Lola’s happiness. Jacques Demy once again is able to explore the idea of love and gives us the reality of it, without having to strip away romance. With every film I watch…