On Demand Webinar - Available for immediate viewing and unlimited access.
On Demand Webinar - Available for immediate viewing and unlimited access.
Mike Gauyo is a TV writer who has most notably written on HBO's INSECURE, Netflix’s hit series GINNY & GEORGIA and is the showrunner of SEND HELP for AMC's ALLBLK. Originally born in Haiti, Mike broke into Hollywood as a production assistant on reality shows like AMERICAN IDOL and SO YOU THINK YOU CAN DANCE until being discovered by Issa Rae who staffed him as a writer on her fiction podcast FRUIT. Mike entered the world of TV writers’ rooms serving as a writers’ assistant on the TNT show CLAWS and currently writes on HBO’s comedy hit INSECURE with Issa Rae. Mike also founded The Black Boy Writes Mentorship Initiative, a mentorship program for black men who are looking to break into TV writing. Mike’s varied background in TV writing has allowed him to experience many different writers’ rooms and has given him a keen sense on how to best write and perform in these settings. John Herrera is an Emmy-nominated writer and producer on Hulu’s The Handmaid’s Tale where he collaborates with writing partner, Nina Fiore. After The Handmaid’s Tale, John and Nina wrote on Bloom, a new show for Netflix that will be coming soon, and they have also worked together on USA’s The Purge, Syfy’s Nightflyers, Blood Drive, Alphas, and Eureka. Additionally, they have sold their pilots Players and Dante’s Inferno (the latter co-written with Ethan Reiff & Cyrus Voris) to CW and Freeform, respectively, and an adaptation of Melissa Lenhardt’s genre-bending, feminist western novel, Heresy, with MGM. John also co-wrote the movie Nancy Drew and The Hidden Staircase for Warner Brothers and is currently adapting a true-life feature story about the latter days of the Bosnian-Serb conflict of the 1990’s. Before becoming a TV writer, John was a script coordinator on Eureka, Californication, and Sleeper Cell. Nina Fiore is an Emmy-nominated writer and producer on Hulu’s The Handmaid’s Tale where she collaborates with writing partner, John Herrera. After The Handmaid’s Tale, Nina and John wrote on Bloom, a new show for Netflix that will be coming soon. She and John have also worked on USA’s The Purge, Syfy’s Nightflyers, Blood Drive, Alphas, and Eureka. Additionally, Nina and John have sold their pilots Players and Dante’s Inferno (the latter co-written with Ethan Reiff & Cyrus Voris) to CW and Freeform, respectively, and an adaptation of Melissa Lenhardt’s genre-bending, feminist western novel, Heresy, with MGM. Nina also co-wrote the movie Nancy Drew and The Hidden Staircase for Warner Brothers and is currently adapting a true-life feature story about the latter days of the Bosnian-Serb conflict of the 1990’s. Before becoming a TV writer, Nina was a script coordinator and writer’s assistant on Eureka, Sleeper Cell, The L Word. Born in the Bronx to a Puerto Rican mother and a Sicilian father, Nina spent most of her formative years surrounded by an excess of personality. Jamie and Jason Neese were born in Davie County, North Carolina and hold a B.F.A in Creative Writing from the University of North Carolina at Wilmington. They are currently Producers on the EMMY nominated Netflix/UCP series THE UMBRELLA ACADEMY. Previously they were part of the producing teams for multiple television series including EMMY nominated UNREAL and DEAR WHITE PEOPLE. The Neese Twins have been tapped to develop and write a pitch acquired by POINT GREY PICTURES (Seth Rogen) titled OAKWOOD LANE and have sold an animated television project to OCTOPIE (Russo Bros Animation Studio) called LITTLE DICK. Jason Mirch is a feature film, television, branded entertainment, and digital content producer and executive with over 15 years of experience. Most recently, he produced a 3D animated feature film starring Jacob Tremblay, Christopher Lloyd, Mel Brooks, Kenan Thompson, and Carol Kane. Mirch was the Head of feature and television development at Image Nation, a finance and production company based in Abu Dhabi, UAE. There, he supervised the Image Nation contributions in the development of Flight, The Help, The Best Exotic Marigold Hotel, Contagion, Careful What You Wish For, Ghost Rider 2, Midnight Sun, and 100 Foot Journey.​ Prior to his work at Image Nation, Mirch was Co-Head of Development at Zadan/Meron Productions (Chicago, Footloose, The Bucket List) where he was actively involved in developing a slate of feature film projects for New Line, Paramount, Summit Ent., and CBS/Paramount. He also developed and sold television projects and mini-series to CBS, NBC, Fox, ABC, and Lifetime. He has lectured on all areas of filmmaking, speaking on panels at the Producers Guild of America, the Harvard Screenwriting Group, American Film Market, University of Southern California Film School, as well as several international film festivals and markets. In addition, he has consulted brands, including Burberry and Creative Artists Agency, on the expansion of their operations into emerging markets in the Middle East and Asia. Mirch graduated Cum Laude from Chapman University’s School of Film and Television, where he received a B.F.A., in Film Production, with an emphasis in Writing and Directing. He was mentored by Academy Award Winning Writer/Director David S. Ward, in the spring of 2004, and is the winner of Chapman University Student Filmmaker Award, for Best Director for his film Ally. Full Bio »

HBO Max, Netflix, Disney +, Hulu, oh my!
It seems that everywhere you turn there is a new streamer showcasing some of the best television shows we have ever seen from creatives.
With more distribution outlets than ever and larger, global audiences to be able to watch it, the demand for television content is the highest it's ever been. We've seen incredible shows emerge like INSECURE on HBO, THE HANDMAID'S TALE on Hulu and THE UMBRELLA ACADEMY on Netflix, and it's the engine of the writers' room that keeps us coming back for more and continuing on to watching episode after episode.
Stage 32 is going to peel back the curtain and take you behind the scenes of what it takes to write on these popular shows, and what it takes to help you break in to get there.
Join us as we bring in showrunner Mike Gauyo from AMC's ALLBLK SEND HELP and writer on HBO's INSECURE, as well as Co-Executive Producers and writers Jason and Jamie Neese from Netflix's THE UMBRELLA ACADEMY, and John Herrara and Nina Fiore from Emmy-nominated Hulu's THE HANMAID'S TALE for an exclusive FREE Stage 32 webcast.
Moderating this world-class group of television writers is our very own Jason Mirch, Director of Script Services of Stage 32.
This world class group of television writers will be talking about the craft of TV writing and going over what they are seeing in the marketplace today for streaming. Come join us for this free fun and educational webinar!

Top Streaming TV Writers
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Learn directly from Ross Putman, an award-winning producer and founder of PSH Collective! Transformers. Godzilla. Captain America. Groot...? Who knew that this summer's biggest success story would be Marvel's band of unlikely heroes, known as The Guardians of the Galaxy? With their biggest star (Bradley Cooper) playing a talking raccoon, a director whose previous film grossed just $300,000 at the box office, and with a cast of characters so unknown that an entire teaser trailer was devoted just to introducing them, the odds seemed long for Guardians to make any impact at all. And yet it's the only film to gross over $300 million at the US box office--something not even Michael Bay's fourth Transformers movie could accomplish (and that had Marky Mark Wahlberg)!It's a little known fact that Guardians was based on source material that Marvel all but buried. So why did it work? Regardless of whether a good story is based on source material or original material, Guardians would not have been a success if the script, filmmaking, casting and marketing weren't all thought out and executed perfectly.In this webinar, we'll deconstruct how Marvel "flipped the script" on... well, its own scripts. A focus on quirkiness, the establishment of a unique tone, and bringing their first female writer in the fold added up to a great finished product. Whether it's the very specific character traits (like Drax's inability to understand metaphor) to the very clear stakes (even when things go deep into sci-fi), Guardians has all the right moves to please movie-goers tired of the same-old-same-old. Yet it becomes truly revolutionary by sticking to the basics; it's a script that puts one foot in front of the other and never stumbles.
In this challenge, you were asked to use The Breakdown Webcast: What the *&%$ is a Dramedy? as a guide to write a short scene (1-5 pages) that uses all of the principles discussed. Make sure to watch the Breakdown Webcast for those tips! You can find that by clicking here. We received some excellent submissions that all attempted to ride that fine line of truly being a "Dramedy."
Learn From A Producer and Development Executive who has worked at CBS, ABC, Nickelodeon, and more! "It was amazing, enlightening - completely. I learned soooo much - especially as a feature writer who's been asked to turn a feature script into a pilot!! Thank you soooooo much." -Kristin G. The market for historical dramas is hot. Shows like The Crown, Genius: MLK/X, The Law According To Lidia Poet, The Great, Babylon Berlin, The Empress, Call the Midwife and more are dominating with controversial plot lines and riveting characters. But to sell a historical drama, you first need to know the specifics of writing this specialized genre. You need to understand what type of intellectual property makes for a compelling story and then have the skills necessary to turn this historical piece into a modern, binge-worthy series that speaks to today's audiences. In this exclusive Stage 32 on-demand webinar, industry veteran Anna Henry who has worked as a development executive and producer and has shepherded numerous projects through networks and streamers is here to show you how. Anna is a Producer and Development Executive who has worked at CBS, ABC, Nickelodeon, and multiple production companies, as well as a manager at Andrea Simon Entertainment. Her clients have worked on shows such as THE DEUCE, POWER, IN CONTEMPT, TOMMY, VIDA, SEVEN SECONDS, HUNG, CHICAGO FIRE, FEAR THE WALKING DEAD, THIS IS US, and THE FLASH, and have set up projects at AMC, Amazon, Starz, HBO, Sony, Fox, EOne, and more. Anna has projects currently in development around the world and is incredibly familiar with what goes into a great television pilot. If you are developing a historical drama or ever want to try, this information-packed webinar is a must! Praise for Anna's Stage 32 webinar: "The webinar was fantastic. I am writing my first one hour drama pilot so this webinar was packed with the exact information that I will be immediately putting to use in my rewrite. The slides were clear, concise and informative. The speaker was excellent at conveying the information I needed." -Bobby C. "It was really great information. Anna was a terrific host, very knowledgeable and shared a lot of information and tips." -Marla H. "Comprehensive, insightful. Combined a lot of material I had heard snippets of on character, world dev, etc. but artfully stitched together in one presentation." -James F.
Learn directly from Anne Marie Gillen, who has over 20 years of experience with independent film financing and has raised over $100M worldwide! There is no getting around it. If you want to make your own project, if you want to control your own career, you will need financing. In order to secure that financing you will need the necessary tools, language and know-how. Equity is King – and finding and closing it is the key component to funding every project no matter what the budget! This webinar will address 5 key strategies regarding financing that most filmmakers do not know. Are you stressed & overwhelmed with the thought of finding money for your film? Do you know how to talk the language of an equity investor? Entertainment is a high risk investment. Do you know how to mitigate that risk to get investors to a "Yes!" PRAISE FOR ANNE'S TEACHINGS: "Although I have extensive experience as a Line Producer on studio films, Anne Marie Gillen gave me the map of how to successfully negotiate the strange land of independent film production. She showed me which doors to knock on and how to get them to open. In three months, I went from being a clueless indie neophyte to negotiating with foreign sales agents bolstered by the confidence that comes with knowledge." - Robert Latham Brown - S.W.A.T., Charlie's Angels, Spider-Man "Anne Marie Gillen's captivating personality and unquestionable knowledge of financing films in the digital age were key in providing the vital tools to the Puerto Rico film industry." - Puerto Rico Film Commission "Anne Marie Gillen is exceptionally knowledgeable about independent producing and film finance. Her seminar on the principles and practices of successful producers is extremely lucid, helpful, and keenly observed, drawing from her many years' experience as an industry professional and broad base of relationships. Her sessions on business plans and financing tools are invaluable for the serious independent content creator: inside information with very current details and examples from the ever-changing funding and distribution marketplace. Spend time with her in one of these seminars if you can!" - Executive Director, NALIP (National Association of Latino Independent Producers) "In show business, everyone is in love with the show, but it's the business of making significant money that turns on the big boys and girls inside the tent. Learn what they already know..." - Steve Eccelsine - Independent Producer (12 films & over 700 TV episodes) "Your insight cleared up my eyesight... What a great seminar! The information you provide on the business principles and practices of the entertainment industry is an invaluable tool for producers." - Karen T. Bolt - Development Executive, Carrie Productions (Danny Glover) "Anne Marie's workshop was the best eight hours I spent for getting comprehensive and practical information. She not only shared a wealth of knowledge but actual documents and worksheets for real-world application. And to top it off, she made the day fun, lively and collaborative. I walked away completely satisfied and, more importantly, energized and enthused about producing my film." - Debra Weeks - TV Producer
Throughout every phase of making a film or series, it’s vital to have a vision, but it’s paramount to make sure your books are in order make sure that you are running your project as a business and making money back for your investors. Losing either of these aspects will spell disaster for your project. Vision likely comes more easily to creatives—it’s why you set out on this venture in the first place—but if it’s not accompanied by strong financial records and a wherewithal of what to do, both to spend money and to earn it, you’re going to find yourself in a heap of trouble that no amount of vision can get you out of. In the previous webinar in this series, Introduction to Film & Television Accounting, we discussed the things you need to know in order to responsibly get your project off the ground, including navigating tax incentives, finding and approaching investors, and working with loan-out companies. However your dealings with accounting don’t end here; they continue well through production. You might have wrapped your film, but there are still some serious i’s to dot and t’s to cross. How do you report your earnings and your spending? How do you handle payroll in accordance with the different guilds and unions? How do you prepare your taxes and how do you make sure you actually get those credits and incentives you’re owed? There’s no time to sit on your laurels. It’s more vital now than ever to ensure that your accounting is, well, accounted for. John Thomas and Kristy Clabaugh are Atlanta-based CPAs that specialize in providing services to the film & entertainment industries both abroad and in the US. Kristy also serves on the executive board of directors as Treasurer for both the Georgia Production Partnership and Women in Film & Television Atlanta. Together they have worked on hundreds of film and television projects assisting clients in all stages of project implementation from investor relations, entity structuring, waterfall projections, budgeting, pre-production and development, production accounting to post-production. John and Kristy will continue on from their first accounting webinar to share with you more advanced but equally vital aspects of handling the accounting on your film project. They’ll go over financial reporting requirements for any project, specifically your balance sheet and your income statement and teach you how to reflect your project as an asset, how to report investor obligations, both as loan payable and equity interest, and when and where the revenue hits. Next they’ll delve into the importance of quality production accounting and go over the guild and union rules you need to know while doing payroll. John and Kristy will walk you through cost reports and how they compare with the budget. Then they’ll teach you the nuts and bolts of tax preparation, which includes both federal filings like elections and K1s, and state filings, like resident/non-resident filings tax incentive and credit declarations. Praise for John and Kristy’s Webinar: Both presenters really knew their stuff and presented it with clarity. -Clint A. This advanced class was so helpful. John and Kristy got into the nuts and bolts of accounting in a serious way and gave me a lot more confidence in being able to handle accounting on my own project” -Cassie G. Really thorough but also easy to understand -Gerry T. John and Kristy are the best! -Rodolfo B.
An Information-Packed 4-part class with a Writer-Producer-Director With Hits On Lifetime, Apple TV, Amazon + handouts to help you with your projects! Made-For-TV Movies are feature films that are released on streamers and TV networks without a theatrical release. These films are incredibly hot content for both PayTV/Cable networks and streamers alike right now and a great way to build your writing and filmmaking career. Traditionally thought of as the romance, holiday, and thriller movies seen on networks like Lifetime and Hallmark, Made-For-TV Movies have seen a boom in viewership in recent years, which has resulted in the major streamers - Netflix, Amazon, Paramount+, Hulu, just to name a few - green-lighting numerous Made-For-TV Movies each year. The tried and true structure, tone, and pacing of Made-For-TV Movies are clearly striking a chord with audiences right now, as more and more people are tuning in for these types of movies. Everyone is getting into the Made-For-TV Movie business…and business is booming! In this 4-session on-demand Stage 32 class, you will learn the step-by-step process of developing, writing and producing your own high quality Made-For-TV Movie for a cable network or streamer. You will be taught by Made-For-TV Movie guru Michelle Mower, whose debut film THE PREACHER’S DAUGHTER, starring Andrea Bowen (“Desperate Housewives”), garnered the highest ratings for Lifetime in 2021. With Made-For-TV Movies featured on Amazon and Apple TV, Michelle is a true expert in all aspects of making a Made-For-TV Movie - from development through production and distribution. Michelle will equip you with the necessary tools to conceive, sell, and produce your own successful Made-For-TV Movies. While many writers, producers, and directors are clamoring to make Made-For-TV Movies with networks and streamers during this gold rush, many professionals aren’t well equipped to jump into the niche and deceivingly complex world of Made-For-TV Movies. For example, holiday films, thrillers and romance are some of the most in-demand genres for Made-For-TV Movies, but what types of stories/themes are programmers really wanting to buy? What type of cast do these movies feature? And how do you know if your idea will make a great Made-For-TV Movie? Many independent filmmakers approach the development of Made-For-TV Movies the same way they develop independent features, but there are distinct differences that must be considered if you want to make a successful Made-For-TV Movie. Plus! Michelle will provide you with exclusive handouts to help develop and execute your current and future MOW projects! Downloads include: Michelle's Screenplay for THE PREACHER"S SIN A Made For TV Movie Shooting Schedule A Made For TV Movie Copyright/Licensing Deliverables List Copies of Michelle's Industry Blog Post An Example One-Sheet From A Made For TV Movie You will walk away from this 4-part Stage 32 on-demand class with a comprehensive understanding of how you can successfully develop and sell your Made-For-TV Movie to a major network or streamer and how you can effectively produce the film to ensure it is a financial success and a hit with audiences. Testimonials on Michelle's Work and Teaching: "Michelle was incredibly helpful in getting my film in good shape to pitch to Netflix and Lifetime!" - Sammy C. "Michelle is a wealth of knowledge on everything from screenwriting to the business side of selling your project. I'm lucky to have had the chance to work with her before taking my project forward!" - Alison L. "I thoroughly enjoyed Michelle Mower's How to Develop, Sell & Produce Your Made-for-Television Movie. The creator of Lifetime's The Preacher movies gave us importantinsight and the essential tools needed to write compelling Made-for-TV movies viewers will watch over and over again. But, that's not all--she also opened up the world of developing and directing this jewel, covering every facet with tips to avoid production mishaps. It was an eye-opener. She's funny, down-to-earth and cares about paying-it-forward. You won't regret taking it." -Gayle R.