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A Master-Light of All Our Seeing
Wordsworth and Turner as Landscape Architects: a history and an indulgence.
May 10, 2024 • Eleanor Gwyneth
The Rest is Not Silent
Revisiting Robert Watson
Apr 21, 2024 • Eleanor Gwyneth
The Spring Came
3 thoughts on Nature in Hardy and Eliot
Mar 22, 2024 • Eleanor Gwyneth
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Manus Lens
Aug 15, 2023 • Eleanor Gwyneth
The Poetic Plant
Feb 10, 2024 • Eleanor Gwyneth
The Shades of the Gothic Sublime
Apr 17, 2023 • Eleanor Gwyneth
The Appalachian Nature Poetry of P.E.B.C.
Feb 15, 2023 • Eleanor Gwyneth
The Importance of the Garden in Aemilia Lanyer’s “Description of Cookham”
Jan 26, 2023 • Eleanor Gwyneth
Anne Bradstreet’s “Contemplations” and New England Nature
Feb 8, 2023 • Eleanor Gwyneth
The Poetic Plant
Nature in Wordsworth and Hardy
Feb 10, 2024 • Eleanor Gwyneth
Manus Lens
On the hands of fine art photography
Aug 15, 2023 • Eleanor Gwyneth
To Look on Nature
In Celebration of Tintern Abbey Day
Jul 13, 2023 • Eleanor Gwyneth
The Sweetness of Life on Earth
Time as the Sublime in the World of Station Eleven
Jun 3, 2023 • Eleanor Gwyneth
Rookwood Castle
A Gothic Short Story
May 12, 2023 • Eleanor Gwyneth
Buñuel's Cinema of Desire
A Lacanian Reading of the Four Final Films of Luis Buñuel
May 11, 2023 • Eleanor Gwyneth
The Conspiring Seasons
Examining the Ecopoetics of John Keats’s “In Drear Nighted December” and “To Autumn”
Apr 28, 2023 • Eleanor Gwyneth
To Asra
To Asra
Critical musings and fragmented memories, emotion recollected in tranquility
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Arts & Letters Daily
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desire lines
desire lines
Supposed Person
Who's he when he's at home?
Who's he when he's at home?
Eric Lindstrom
The Pedestrian
The Pedestrian
William Guppy
Woolgathering
Woolgathering
Alexandra Block

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