We are Transmitters

As we live, we are transmitters of life.
And when we fail to transmit life, life fails to flow through us.

That is part of the mystery of sex, it is a flow onwards.
Sexless people transmit nothing.

And if, as we work, we can transmit life into our work,
life, still more life, rushes into us to compensate, to be ready
and we ripple with life through the days.

Even if it is a woman making an apple dumpling, or a man a stool,
if life goes into the pudding, good is the pudding
good is the stool,
content is the woman, with fresh life rippling in to her,
content is the man.

Give, and it shall be given unto you
is still the truth about life.
But giving life is not so easy.
It doesn't mean handing it out to some mean fool, or letting the living dead eat you up.
It means kindling the life-quality where it was not,
even if it's only in the whiteness of a washed pocket-handkerchief.
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Analysis (ai): The poem centers on transmission as a biological and creative imperative, linking sexual vitality with artistic or labor productivity. Unlike many of the author's more explicit treatments of sexuality, this piece frames sexual energy as part of a broader life-force exchanged through daily acts. It reframes domestic and manual labor as sites of spiritual and biological continuity, which is less emphasized in his more dramatic narratives.
Relation to Author’s Other Works: While the author often explores sexuality and industrial alienation separately, here he merges them into a unified doctrine of vitality. Unlike the psychological complexity in his novels, the poem strips experience down to elemental exchange. It lacks the romantic or tragic overtones present in his better-known poems, suggesting a more pragmatic phase.
Historical Context and Norms: Published during a period of increasing mechanization and psychological introspection, the poem resists modernism’s fragmentation by affirming continuity and embodied action. While peers focused on disillusionment, it posits a generative ethic rooted in physical existence. It departs from Victorian moralism not through rebellion, but through redefining virtue as energetic contribution.
Modern Concerns and Form: Post-1900 sensibilities appear in its anti-materialist stance and focus on authenticity in labor, anticipating later critiques of alienation under capitalism. The free verse and plain diction reflect early modernist tendencies, but without syntactic disruption or irony. The imperative tone suggests a didactic aim unusual in the era’s more ambiguous poetic voices.
Less-Discussed Angle: Rather than viewing the poem as a call for sexual liberation, it can be read as a critique of passive consumption—of relationships, work, and even domestic rituals. The emphasis on "kindling" in small acts, like washing a handkerchief, elevates mundane maintenance over grand gestures. This focus on minor, unseen contributions diverges from the author’s usual emphasis on intense personal transformation.  (hide)
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Likes: Sky Spirals, Jo J, Richie Howling, DKN7, Poetic Judy Emery
To reply, click a comment.
Jo J - My great grandfather knew this man.  They grew up in the same area, "Eastwood".  My G Grandfather did not like him.  He found him to be perverse.  I think maybe he just misunderstood him.  I've read quite alot by him and he seemed ahead of his time.  Very philosophical and spiritual and very misunderstood.  He seemed lost, like he was searching for a real connection.

Books recommended:

Sons and lovers
Lady Chatterleys lovers
Women inlove
The Rainbow
on Jun 30 2023 10:16 AM PST   
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Orrisking - Good poem. it written with mind of God.
on Sep 18 2010 07:41 AM PST   
Orrisking -
on Sep 18 2010 07:39 AM PST   

Comments from the archive

Ahkam - It’s Science, Physics and Micro Biology, Embryology, Genetics and Ethics so many areas covered in one poem, really beautiful.
on Feb 02 2009 01:08 PM PST   
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