Why We Go To The Movies | Alessandro Di-Girolamo | Substack

5 Films Hollywood Should Actually Remake

The Case for Remaking Near-Misses

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The Ten-Year Oscars

Mar 1 • Alessandro Di-Girolamo

Arrival & The Cost of Knowledge

Apr 7 • Alessandro Di-Girolamo

Fargo’s Norm Is the Best Movie Husband of the Last 30 Years

Jan 27 • Alessandro Di-Girolamo

The 2026 Oscars Are Unusually Open. Here’s My Ballot

Mar 12 • Alessandro Di-Girolamo

Recent posts

Arrival & The Cost of Knowledge

Denis Villeneuve’s sci-fi masterpiece and the courage to live fully

Apr 7 • Alessandro Di-Girolamo

Righting the Wrongs of Oscars Past: 2015 Edition

Birdman, Interstellar, Whiplash, and a Twelve-Year Gamble

Apr 1 • Alessandro Di-Girolamo

Righting the Wrongs of Oscars Past: 2015 Edition (Coming Soon)

A verdict is coming. But first, I want yours.

Mar 23 • Alessandro Di-Girolamo

A Method Out of Time: Louis Theroux and the Manosphere

When exposure stops working and the subject already owns the microphone

Mar 17 • Alessandro Di-Girolamo

Did the Loudest Cheer of the Night Predict the Oscar?

A deeply scientific study conducted during the ceremony

Mar 16 • Alessandro Di-Girolamo

The 2026 Oscars Are Unusually Open. Here’s My Ballot

Predictions, personal picks, and a few grudges. Including the impossible choice between Sinners and One Battle After Another.

Mar 12 • Alessandro Di-Girolamo

The Bride! Review

Something Dead, Something New, Something Borrowed, Something Blue

Mar 7 • Alessandro Di-Girolamo

We've Got Dolls In This House

Mar 3 • Alessandro Di-Girolamo

The Ten-Year Oscars

The case for awarding films ten years late, and why 2015 belonged to Mad Max: Fury Road all along.

Mar 1 • Alessandro Di-Girolamo

Crime 101 Review: A Slick LA Heist Thriller That Doesn’t Quite Reach Greatness

Bart Layton’s Crime 101 wears its influences openly, sitting squarely in the lineage of modern LA crime thrillers.

Feb 19 • Alessandro Di-Girolamo

On First Reformed and the Seduction of Moral Exhaustion

First Reformed is, on first reading, a film about the climate crisis or a crisis of faith.

Feb 17 • Alessandro Di-Girolamo

Against Funny Games

Since its release, Michael Haneke’s Funny Games has been canonised as a bracing moral rebuke to cinematic violence, a film less meant to be enjoyed than…

Feb 9 • Alessandro Di-Girolamo

Why We Go To The Movies

Why We Go To The Movies

Essays about movies, and how they make me feel. Sometimes serious, sometimes not.

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