Gray Goo from the Platinum Honeycomb detonates lyric, liturgy, and vitriol into one continuous body: feminist essays, confessions, love stories, and delirious poetry that treat the corpse, technology, and planetary objects as interchangeable organs. Silk Cellophane braids eroticism, bio-politics, and abjection into an anatomy of collapse — a world where love is a landfill, citizenship is sodomy, and the sun performs necrosis. These pieces move from intimate violence to cosmic machinery, from tactics of humiliation to dreams of engineered progeny, always returning to the sensory center: fluid, rot, taste, and the excretion and production of meaning.
Not for readers who want consolation. For those who want to feel language turn viscera, to be outraged, repulsed, contaminated, and purified all at once. This book insists we look at what we refuse to see: the waste we make, the bodies we metabolize, and our virtue dependent on another's corruption!!!
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