The Chair.

The Chair.

By David Milligan-Croft.

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During the daily tropical rainstorm,

my father would haul his rattan chair 

from the comfort of the verandah 

out onto the lawn and sit in the torrential downpour. 

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Regular as clockwork,

the skies would open each afternoon,

and unleash their deluge.

Macaws and howler monkeys silent for once.

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The only sound being that of the torrent

clattering off palm fronds. 

Father would sit and stare hypnotically 

into the dense rainforest.

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Then the rain would stop

as abruptly as it started.

The sun would burst forth 

and dry out his clothes.

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I don’t know if this ritual

made him feel more connected

to the Earth, or something.

Or if he just liked the feeling of rain

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on his skin.

When he was ready,

he would return to the verandah,

dragging the chair behind him.

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Creepers and vines

are crawling up its legs now.

Flowers sprouting and blooming through

the buckling lattices of wicker.

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Nature always wins in the end.

My father is gone,

but his chair is still there.

It belongs to the forest now.

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The Shoe Box – new poem.

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The Shoe Box

by David Milligan-Croft

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I take the empty shoe box 

to the recycling bin,

and pause.

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It’s a sturdy box

with a hinged lid,

which I open and close,

as if it’s talking.

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There’s tissue paper

inside. Tissue paper

is useful. It rustles

beneath my fingertips. 

I could use it … 

for something …

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The box is pristine,

undamaged. 

Plenty of life left in it 

yet. For who knows what?

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Pens, perhaps? Paint

brushes? Tools? Mementos?

Photographs? The list

is almost endless.

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The recycling bin yawns greedily.

I place the box on the floor

and surreptitiously slide it 

under the cupboard

with my toe.

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Where it will sit, gathering dust

and cobwebs, waiting

until its time comes

to be of purpose again.

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After all, isn’t that what we all want?

To be dusted off,

to be of purpose again?

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And another thing…

I couldn’t resist doing another quick post to share this little piece, (it’s actually quite a big piece), I did on Christmas day.

I know my work isn’t everyone’s cup of tea. Which is why I only drink coffee.

It’s acrylic on cardboard, 81 cm x 53 cm.

I hope you had a very merry Christmas (if you celebrate) or a happy holiday (if you don’t).

Here’s to a happy, healthy, peaceful and prosperous 2026.

What the hell. I did another one.

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Tying Up Loose Ends

As we come to the end of 2025 I thought I’d share some of the work I’ve been doing over the past couple of months.

Here’s a (very) small selection. They contain my usual embellishments of symbols and code, from the Fibonacci sequence to Phi and Sacred Geometry. Bits of astrology and numerology, along with codes in Latin, Greek, French, Arabic, Japanese, ancient Runes and my own makey-uppy alphabets. And lots, and lots of Love.

I tend to post them as I do them, over on Insta. So, if you’d like to follow me over there, you can find me @milligancroft

Or, if you’d like to purchase one to frighten the kids, just send me a message.

It just remains for me to say a big THANK YOU for all your support over the past year and to wish you a very Merry Christmas and a happy, healthy and prosperous New Year.

See you in 2026! (Hopefully.)

Homage to Jean Michel Basquiat. Sold.
Pencil sketch portrait of David Bowie from the album, ‘Low’.
Simple, abstract landscape.
Inspired by African masks/art.
Pencil study for a painting.
The painting.
Inspired by the song, ‘I could never be your woman’ by White Town.
Self-portrait.
Pencil sketch portrait.

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Your Soul Appears Familiar To Me

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.

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What Stories They Could Tell

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What Stories They Could Tell

By David Milligan-Croft

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I smoked a Gauloises, flakes

of tobacco on my lips, irresistible

not to chew.

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In my recumbent pose,

lounging on the banks of the Canal du Midi,

something stirred in my pocket.

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My loose change was sliding out.

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When I sat up, I noticed a gold 50-cent piece

had abided by the laws of gravity,

and was now sparkling in the grass.

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Automatically, I went to retrieve

my hard-earned coinage, then paused…

what if I left it there

for someone else to find?

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Perhaps, it would brighten their day

a little. Maybe 

it would be that tiny piece of good fortune

they required to spur them on.

That everything might just turn out okay.

Better than okay,

magnificent, even.

What treasure they would have found!

What adventures they would embark upon.

What stories they could tell.

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The Persistence of Memory

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The Persistence of Memory

by David Milligan-Croft

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I watched my daughter doing the dishes,

whilst I tidied the detritus from the dining table.

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I looked at her, standing there – a young woman now,

and recalled a time when I used to sing to her

in her mother’s womb.

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I would lay my cheek against the taught skin

of her Mum’s belly, and softly sing 

You are my Sunshine.

As she grew inside her cocoon

I occasionally felt a nudge, or a kick 

as a reaction, or protestation! 

And it would make me glow inside.

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20 years later, to see her

all grown up, sleeves rolled up,

her hands covered in suds,

absentmindedly humming,

You are my sunshine,

she wonders why tears 

are rolling down my cheeks.

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A Miscellany of Musings

I thought I’d share with you some of my musings over the weekend.

These days, I much prefer to draw a picture or compose a poem rather than paint the town red. Those days are (thankfully) far behind me.

Saturday morning scribble
Blood Moon Haiku 07/09/25
Father & Daughters.
Mary

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A Cry for Help

Here’s a poem I wrote after a little walk by the local river.

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A Cry for Help

by David Milligan-Croft.

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By mid afternoon

I had the urge to be near a body of water.

I’m not sure why.

Sometimes, it’s best not to question these things,

and just go with whatever your instincts tell you.

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I drove a few miles

to where the rivers Tame and Goyt

confluence into the Mersey.

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It looked as though other life forms

had had the same urge as me,

as the banks teemed with life:

Bees, wasps, butterflies, horseflies, dragonflies…

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Leaves spiralled down

from the dense canopy of trees

landing on the brown, languid water.

Pink and white petals floated slowly by on the surface.

It seemed a little early for autumn,

it being a hot August afternoon.

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Occasionally, concentric ripples punctuated the surface

from gulping fish below.

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I walked slowly along the riverbank

filtering the birdsong from the roar of jet engines above.

White ashes of spent fires dotted the path

along with discarded beer cans and energy drinks.

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I was searching for a spot to sit and read my book

and absorb the medicine of Mother Nature.

Eventually, I spied a bench, but that too had been

used as a source of fuel for a fire.

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The shallows were littered with human detritus:

a bike wheel, some kind of cage or trolley, a traffic cone,

there was even a soiled diaper.

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Soon, the path I trod became so choked with nettles

that I could explore no further.

What was the point of this sudden urge

to be by water, I wondered.

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Perhaps it was Mother Nature calling,

crying out for help.

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How to say I love you, without saying I love you, in Japanese.

I’ve always felt that if you need to explain what a poem is about, then it doesn’t work as a poem.

However, I like the point of view that you, the reader, and I, the writer, are aware of the secret, but the recipient (in the poem) is not.

Anyway, see what you think.

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Tsuchiya Koitsu, 1870 – 1949. Courtesy of JPN Studio.

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